We have a copy of Greetings from Asbury Park by Daniel H Turtel to give away!
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The richness and variety of topics and styles is impressive. Many of the stories in the poems tell us about the strength of women and their struggle to survive in a male dominated world. Reading page by page we go through women’s lives, from the quotidian to the extraordinary, from the intimate to the distant, from the general to the particular.
The poems are uniformly crisp, accessible, and well-written, and tuned to each illustration. All in all, a fascinating and well-done presentation of graphic, history, and poetry in a lovely and unique format. From the intriguing concept to the full-realized poems, this chapbook is a delight to view and read.
to give away!
St Vincent Welch’s poetry is characterised by originality, sincerity and engagement. Some of the poems have nostalgic overtones, while others leave room for complex reader interpretation and simultaneous meanings.
All in all, They Called Us Girls is a fascinating, inspiring, and well-written collection of biographies of seven exceptional women, bios told with personality and insight which bring these women and their triumphs to life. A grand celebration of women, released during March’s Women’s History Month, this is a book for men and women both to relish.
Ly Tran’s House of Sticks beautifully captures what it means to be an immigrant in America: the struggle to adapt to your new world’s norms, the desperate desire to succeed there, and the love and heartache that your old life still haunts you with. The juxtaposition of holding onto her old identity while embracing her American one with her belief that escaping everything that is connected to Vietnam is the only way to succeed in the U.S. draws the reader in with the perpetual tension in her mind and heart, which Tran eventually evolves into the understanding that “[her father] was trying to save [their] lives” rather than ruin them.
Having published a book on fifteen (American, British and Irish) tramp writers, although devoting an entire chapter to each, after reading Davies’ book I was left feeling that I had only scratched the surface of this fascinating and under researched phenomena (Davies identifies thirty-three British tramp memoirists alone). I will have to read this book more than once to fully appreciate its scope and content, including the countless delightful anecdotes from the subject’s of Davies curiosity.
Often the poems have a dream-like quality, the familiar taking on a surreal, Twin Peaks like inversion as it creates these strange portraits, as in “Apokryphon” – “A leering urchin passes, walking with a broom. Curtains/part, discreet.” Skovron’s detail is painterly—the drape of clothing, the angle of the head, light falling in such a way that there is almost a magical aspect to the characters. They are slightly outside of the scene, being watched while watching.