Category: Book Reviews

Book Reviews

The Dead: An Outline Commentary

 Noted Joycean Bob Williams provides a very thorough overview of one of the most beautiful and complex of short stories from James Joyce’s Dubliners. by Bob Williams Lily begins the story and she begins with a funny solecism: she “was literally…

A review of Anthony Bourdain’s Kitchen Confidential: Adventures in the Culinary Underbelly

 If you aren’t obsessed by exquisite food, amused by toilet humour and punkish slapstick, and don’t find the lives of the overworked, overpaid, talented, corrupt, and derelict cooks who turn out delicate dishes in New York’s fancy restaurants to be of interest, stop here. If, on the other hand, you have nerves of steel (think Basil in the Fawlty kitchens), a strong stomach for blood, gore, and dripping, and high tolerance of cuss words and adolescent antics (think the BBC’s Bottom, or Men Behaving Badly), along with a love of haute cuisine sans frou frou, you will enjoy Anthony Bourdain’s tell all memoir, Kitchen Confidential.

A review of Salman Rushdie’s Fury

 At 55, the Indian born, NY dwelling protagonist of Rushdie’s latest novel Fury, has the kind of rage which causes him to stand with a knife over the sleeping bodies of his wife and son, scream in public, and slip between…

A Review of Robert Dessaix’s Corfu

 Corfu: A Novel is an ambitious work, which uses a range of literary techniques such as complex time sequencing, incorporation of other texts, and mise-en-abyme, or a series of stories within a story, to convey its meaning. The narrative moves forward…

A review of Kate Grenville’s The Idea of Perfection

In the tentative groping of the characters for meaning, the articulation of silence, Grenville creates a story which is a pleasure to read. Reviewed by Magdalena Ball Kate Grenville is one of Australia’s most accessible writers. She has her own…

A review of Margaret Atwood’s The Blind Assassin

Margaret Atwood’s The Blind Assassin  “Two and two doesn’t necessarily get you the truth. Two and two equals a voice outside the window. Two and two equals the wind. The living bird is not its labelled bones.” (484) Mathematical reality…

Stendahl’s Charterhouse of Parma: A Review

Charterhouse of Parma (published 1839) is set in Italy, but this is in the early 19th century, before Italy became “Italy”. While a country such as France, with its late-18th-century Revolution, had of course much nationalistic feeling and was a political entity, Italy still retained the medieval character of a host of tiny “principalities” (an area ruled by a Prince) and such. Parma, in northern “Italy”, was one of these mini-countries. When we first meet the Prince of Parma, Stendhal draws a portrait of … well, not what you would expect of royalty.