Category: Literary Fiction Reviews

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A review of Thine by Kate Partridge

Who we are and what will happen in the future is a notion that is always evolving in her work. She explores what it is to be an individual existing among so many people and the vastness and inspiration of nature and art. And Kate Partridge questions everything, especially decisions and actions.

A review of Serengotti by Eugen Bacon

Ch’anzu’s narrative arc drives the novel forward, as does a mystery that begins to unfold in the the strange confines of the dreamlike village. Through this story, Ch’anzu begins to explore hir own background, trauma and ghosts, that become part of the app being created, self-reflexively looping back to the creative unfolding that the reader is experiencing. 

A review of I walk Between the Raindrops by T.C. Boyle

Still hammering away at the keyboard at age 74, T.C. Boyle still maintains his place as America’s grand poobah of literary fiction, particularly displaying his mastery in the short story genre; and this most recent collection of 13 tightly crafted slices of life intermixed with occasional forays into his beloved magical realism  prove that he is still at the top of his game.

A review of The Swift Dark Tide by Katia Ariel

There is a clear narrative arc that drives the reading forward quickly, but the writing is so sensual and languid that it creates a resistance to that progression. So much transformation happens in the gaps between the action – looking at the ocean, in the silent space of memory, in a moment after birth while looking into a newborn’s face, or even small moments of mindfulness such as noticing the pure green of a paediatrician’s jumper, or a seaweed crown “mossy garlands the circumference of an adult head” floating on the surface of the water.

A review of Ivan and Phoebe by Oksana Lutsyshyna

The language of the novel is captivating and Lutsyshyna creates deep characters and vivid storyline twists while unlocking her talent as a perceptive poet. Lutsyshyna’s depictions of nature landscapes are truly prose poetry.

A review of One Day We’re All Going to Die by Elise Esther Hearst

Deceptively easy to read, One day we’re all going to die is a rich, complex book that encompasses family and connection, friendships, privilege, survival in the face of inherited trauma, Judaism, culture, modern life, and the healing power of creativity.  If that seems like a lot, it doesn’t feel like it.  Hearst handles it all with ease, and the book is a light-hearted joy.  

A review of Breakfast in Fur by Jessica Murray

This isn’t a book that makes decisions for the reader. Murray’s knowledge and reference to other forms of art, schools, and theories is broad enough that the reader can find their own stolen moments of either appreciation or critique. But there are consequences for not having an “intermediary structure” (Murray 51) as simple as a porch that potentially shelters a wild cat.

A review of Demon Copperhead by Barbara Kingsolver

Many novelists have retold classics from bygone eras. One thinks of Jane Smiley’s retelling of King Lear in A Thousand Acres and Curtis Sittenfeld transforming Pride and Prejudice into Eligible. The fun in reading adaptations lies in seeing how the characters turn out in a new setting, and whether or not the author retains the theme of the original classic.