At forty-five pages, 18 Shticks isn’t a long collection, but it covers a lot of ground. Individually these are stories of ordinary lives made surreal through life’s twists, through close examination, and through a sense that just beneath the surface of any situation, there is another reality simmering.
Category: Literary Fiction Reviews
A review of The Brittle Age by Donatella Di Pietrantonio
Moving from present to past with slim reflective passages, the novel examines more than individual responses to violence; it investigates cultural dissonance and our innate need to place blame on ourselves or the other, whoever that may be, and sometimes it’s us in an earlier life. A powerful examination of memory, resilience, reckoning, and acceptance, Di Pietrantonio’s novel marries fact with fiction to create a novel driven by secrets that must be relinquished and failings that must be acknowledged. It’s about honesty and truth.
A Thousand Splendid Suns: A Multigeneration Story Unlike Pachinko or One Hundred Years of Solitude
Although traditional readers might classify the 2007 work as historical fiction given its backdrop of the Soviet-Afghan war in Kabul, the work is anything but your run-of-the-mill war novel. Through a mother-daughter story that focuses neither on a mother nor on her successive kin, Hosseini crafts a compelling narrative spanning generations that makes you question everything you thought you knew about a multigenerational (multigen) story.
A review of Exit Zero by Marie-Helene Bertino
This is no ordinary collection. The Bertino omnibus features a Guignol-esque cast of characters readers will readily recognize because, flights of abstruse and absurd fancy aside, they abide and strive, hungry ducklings all, within each of us.
A review of The Pull of the Moon by Pip Smith
There is a magical quality to the island and the sounds, with all of its seasonal and tonal changes – the turtle and crab hatchings and migrations, the moon phases that make up the section headings, and the way in which the perspectives move around the island. Smith’s writing is poetic and she doesn’t tie everything up into a neat parcel. Instead she allows the characters to develop against the backdrop of an unfolding crisis that is very much a real one in our world.
A review of Men Behaving Badly and The Corona Verses by Tim O’Leary
With both Men Behaving Badly and The Corona Verses, both published by Rare Bird Books, Tim O’Leary proves himself a master of the short form, unafraid to wade into messy, uncomfortable terrain with equal parts irreverence and empathy. These aren’t just stories about individual characters—they’re honest reflections of a country in flux, where comedy and tragedy often sit side by side.
A review of The Three Devils by William Luvaas
What an amazing collection. The best advice I can give a potential reader: pour a cup of coffee or a glass of wine, or even better, both, sit in a dark room with only one light on to illuminate the pages, and sit in the most comfortable chair you have. Prepare to stay awhile. You won’t want to stop.
A Review of Nervosities by John Madera
Madera’s book emphasizes a different kind of narrative pilgrim. Instead of a traveler headed out in search of a story, as Phil Cousineau writes in The Art of Pilgrimage: the journey “as nature’s pattern of regeneration, a journey consisting of departure, arrival, and return,” Madera’s narrators grapple with a perpetual sense of being adrift and often exhausted and burnt by the post-industrial world. These stories are about diasporas, transformations, fragmentations, and layers of meaning.
A review of Everything Must Go by Dan Flore III
In the flash fiction of Dan Flore the conflict could go either way, and often, to his readers’ benefit, it does. Everything Must Go does indeed entertains, and often his protagonist’s pain is his reader’s pleasure. The poet and memoirist John Yamrus’s introduction gives readers a good perspective on Flore’s work.
A review of Jenny, 52 by Susan Montag
Jenny, 52 is a kind of meta fiction about the nature of storytelling, fiction versus reality, in a manner reminiscent of Philip Roth (My Life as a Man, in particular, and all of the Nathan Zuckerman novels generally). Jenny, 52 is made up of seventeen one- to three-page “chapters,” most of which are narrated in the voice of the writer Jenny.