A spectrum of characters populates the prismatic flash in Bare Ana. Every story sings a surprise or a change of perspective. A couple honeymoons in Wakiki, but the husband falls off a twelfth-floor balcony. A young girl in a leotard flips an impossible set in front of a judges’ panel. A weather forecaster flies off – not to another television station – but on a renegade weather balloon.
Category: Literary Fiction Reviews
A review of In Which by Denise Duhamel
Denise Duhamel has her serious side, too, if often couched in irony. In “Poem in Which I Have Doubts and Then Some Faith” she laments the demise of people reading books – people on the beach glued to their phones reading Instagram, texts, Whatever. And then she notes, “DeSantis wants to ban books,” referring to the autocratic governor of Florida, where she lives.
A review of The Buried Life by Andrea Goldsmith
Goldsmith writes with the perfect combination of intensity and restraint, balancing the forward motion of the novel’s rich plot, a linear arc of emotional awakening that picks up the book’s title, with philosophical reflection that leans into the poetic and unspoken qualities of music and poetry.
A review of Griffintown Sisters by J. Emile Turcotte
Griffintown Sisters is vividly written, with multi-faceted characters including strong, resourceful women. The sisters’ love for each other and their struggle for survival come across clearly. This book will provoke thought about whether or not things have changed much for people at the bottom of society’s ladder.
A review of Home of the American Circus by Allison Larkin
Larkin has the uncanny ability to paint each person in Freya’s orbit as if they were living, breathing figures, complete with their own hopes, flaws, and secrets. Through her vivid descriptions and nuanced dialogue, each character feels indispensable to the story, enriching the tapestry of the small town and making Freya’s world achingly authentic and free from judgement.
Covid Kaleidoscope: A Review of Sleep Tight Satellite by Carol Guess
Sleep Tight Satellite by Carol Guess is heartbreakingly human, beautifully vulnerable, and entirely unapologetic. Guess has brought forth a rich patchwork tying together poignant remembrances of the COVID-19 Pandemic and the complex web of queer relationships and identities.
A review of Love Prodigal by Traci Brimhall
As is evident in her line about her mother telling her through her tears that she loves what her daughter’s done with her hair, Brimhall has a delightfully sly sense of humor. It’s on display in poems like “Admissions Essay” (“I could have been valedictorian if the metrics / were ardor and potential for transformation”), “Ode to Oxytocin at a Distance,” “I Would Do Anything for Love but I Won’t” (“cook lobster.
A review of The Burrow by Melanie Cheng
Cheng’s writing is so lovely, and her insights so acute, that even the slow chapters remain engaging. Her figurative language is especially striking. When Amy drifts into sleep, “better days flash, in orange hues, behind her lids.” Pauline reflects that, when one is young, “death [is] something to be teased and taunted, unseen and remote, like a hibernating animal.”
A Review of The Golden Land by Elizabeth Shick
Shick expertly pulls us into Yangon life and culture through glimpses of people, streets, food vendors, colorful gardens, and ancient temples. As Etta strolls through a working-class neighborhood, she notes how “makeshift shacks are stacked one upon the other like the slipper seashells I used to collect at the beach as a child,” then passes a man who “stands in front of his shack, his longyi hiked up to his groin as he lathers soap over his bare chest and legs.”
A review of The Bone Picker by Devon Mihesuah
While this book is a clear indication that Choctaws also like to tell each other scary stories, the implication of that line is that Choctaws have many stories. But when these narratives diverge from Anglo-European expectations, settlers and their descendants almost immediately force them into gothic or horror storytelling structures.