If you’re like me, you’ll want to read everything that Hammett has written, but be warned that this is not literature, simply because language doesn’t set out to do everything. Then again, screen stories like these (and The Third Man by Graham Greene is another example) are an interesting genre, primarily for what they might reveal about the writer.
Category: Classic Literature Reviews
A review of Appointment in Samarra by John O’Hara
The theme that unknown and uncontrollable forces beyond and within oneself determine one’s fate is typical of the “naturalist” school of writers. Among the famous naturalist writers are Emile Zola, Thomas Hardy and Jack London, who show people as biological entities who respond to environmental forces and internal stresses that they do not fully understand and cannot control. O’Hara differs from these earlier naturalist novelists in that he lacks their social conscience, and focuses upon the wealthy, rather than the poor, but his “naturalism” is demonstrated by his blunt style and frank, brutal depiction of human interactions.
A review of Tristram Shandy by Lawrence Sterne
It is hard to believe that Dickens was not thinking of Sterne’s novel when he began his own. Even the tie-in with the future fate of the main character is similar: Tristram Shandy laments that if his parents had considered how much depended upon their attentiveness to their task, at the moment of his conception, his life would have turned out much better.
A review of The Jungle by Upton Sinclair
I don’t think any of the characters emerge as really unique individuals. In the case of Rudkus, I get the feeling that he is deliberately being put into as many different situations as possible, the better to elucidate all the abuses of the system. It did not seem likely, as I was reading, that one individual would really to through all of this … and the catalogue of horrors almost slips into parody at times, things being so bleak in so many different ways.
A review of The Plot Against America by Philip Roth
The writing is always very competent and sometimes even better than that. Lending interest is a symbolic element in the treatment of stamps (Philip collects them, they get printed with swastikas at least in his imagination, Lindbergh is an aviator who delivered air mail). There is humor, though more in individual passages than woven into the fabric of the writing (but given the nature of the story, that is perhaps understandable).
A review of Young Törless by Robert Musil
Mathematics has a large role in this book. I’ve always had a fondness for math, but I don’t think I’ve ever seen a fuller treatment of how it could relate to other aspects of life. Take the concept of infinity. Törless had always thought of it as just a construct that one could use for certain calculations. But suddenly, he looks up at the sky and has the terrifying sensation that the sky goes on forever, “wild and annihilating”.
A review of The Vicar of Wakefield by Oliver Goldsmith
Although the characters are often interesting, and believable, it is the feeling of being exposed to the actual life of the period that was the best aspect of the book for me. We see all the parlor games that were played on a visit to neighbors. We see how people were cheated by sharp characters at the town market.
A review of Cloudstreet by Tim Winton
Yes, it’s a great Australian novel, full of people and places that are both inherently part of their time and true to that space. Above all though, what elevates this book from a cracking good yarn to something that is great, is the magic. The book is rife with magic, so purely woven into the story you might miss it on a first reading. It’s a magic that comes straight from a love of humanity – a generous, funny magic that picks up on all that is truly beautiful, even amidst our flaws.
A review of Sister Carrie by Theodore Dreiser
This leads to what really made the book work for me: a sense of tremendous conviction and strength in back of everything. Dreiser makes me feel, in no uncertain terms, that this is a tale worth telling — even though the writing of it might not come easily to him.
Wuthering Heights: Wild and Wonderful
While sister Charlotte’s Jane Eyre was immediately acclaimed, critics had little use for Emily’s book. They thought that Heathcliff and Cathy were too “pagan” to appeal to the the British reader. Well, they are pagan, and so is the book as a whole.