Category: Classic Literature Reviews

Another Dodge in a System of Dodges: Evasion of Responsibility in What Maisie Knew, Book and Film

Henry James created characters able to embody his concern for elegance, intelligence, morality, and social ritual; and his work attains intellectual and spiritual dimension of a high degree—and his style, thoughtful, textured, teasing, can be complex to the point of profound obscurity, requiring attention, consideration, and deep understanding. The drama is increased for all that.

A review of Diaboliad & Notes on a Cuff by Mikhail Bulgakov

These two handsome and distinctive paperbacks form part of a series showcasing the work of Russian Master Mikhail Bulgakov. Some of the stories in Notes on a Cuff appear in English for the first time, so this is a real treat for Bulgakovians. In addition, both books include valuable textual apparatus: photographs (Mikhail was quite the dandy), notes and a concluding section on the life and work of Bulgakov.

A review of Dark Avenues by Ivan Bunin

Dark Avenues If you’re looking for a point of comparison, I’d say Bunin as a writer is similar to Chekhov, that’s his model. Though he is darker, more risqué and also narrower in his sympathies. There are some people, you feel, that Bunin is just not interested in – something you never feel with Chekhov. There are some people, you feel, that Bunin is just not interested in – something you never feel with Chekhov. Bunin is a little old-fashioned or out of touch too, you sense. Set in his ways. You read a story written in the ‘40s – and so contemporaneous with Hemingway, Waugh and Greene – and the people are behaving like turn of the century Russian nobility.

A review of The Remains of the Day by Kazuo Ishiguro

This is a lovely, easy to read, and powerful book. The simplicity of its narrative belies a far deeper and more complex underlying truth, and this new Faber & Faber edition draws attention to how fresh and relevant the book remains to a modern audience.

On Gertrude Stein, and Tragedy and Transcendence in Stein: Writings 1903-1932

In reading some of the description of Gertrude Stein’s life, and how she came to be an art patron—a friend to artists, an owner of their work, a facilitator of relationships—I was impressed by how intimate and simple were the lives of now famous artists, how vivid the memory. One artist spreads news of the work of another artist, Pissarro talking with others about Cezanne; or one gallerist, Vollard, introducing Cezanne, Daumier, Manet, Renoirs, and Gauguin to those who might appreciate them.

A review of Five Plays by Anton Chekhov translated by Marina Brodskaya

Five Plays by Chekhov What can one fruitfully add to the title, a title which accurately and ably, without undue fuss or bother, describes the book’s contents? Well, first one can expand upon it slightly.  The plays in question areIvanovThe SeagullUncle VanyaThree Sisters and The Cherry Orchard.  So, all are what one can call Chekhov’s mature theatrical works.

Books Set in the South: Charlaine Harris’s Dead and Gone; James Wilcox’s Heavenly Days; and Tim Gautreaux’s The Next Step in the Dance

This is a genuine novel—it allows the writer to introduce us to people we would not know otherwise, and we see them struggle for love and forgiveness, for money and stability. The writer creates a vision of community that is both redemptive and convincing (I must say, it brought tears to my eyes several times: but thinking of it now, I am a bit wary of that effect). Rather than a comedy of remarriage, it is a drama of remarriage, showing the tests people must go through to know, accept, and love each other.

Imagination, Wit, and Madness: The Wapshot Scandal, a novel by John Cheever

John Cheever is a wonderful writer, and his novel The Wapshot Scandal contains observed life and imagined adventure, bringing together ancient rituals and bourgeois affections and habits, private desires and deceptions and public reputations, romance called to reconcile a reality that resists, supernatural suspicions that subvert reason, and mournful, surprisingly poetic interrogations, as Cheever examines family and communal life. The novel does not contain stories that offer easy comfort, though their intimate cruelty and sensual pleasure and melancholy do entertain.

The Price of Isolation: George Eliot’s Silas Marner

It is a remarkable portrait of social misunderstanding, one that is so clear it illuminates current, similar but subtler suspicion of odd individuals in our own world. The money that Marner makes becomes important to him—obvious reward for his work. He is transformed by his isolation, his work, his money, his (often inhuman or at least unsocial) concerns: achieving independence but a spiritual withering.

Love and Cruelty and Money: Great Expectations, a novel by Charles Dickens

It is hard to reconcile daily life and profound thought sometimes, but fiction gives us the semblance of both, reconciled. In Great Expectations, we see how shallow hopes give way to mature duties, friendship, love, and wisdom, when the little poor boy Pip gets a benefactor and a trip to London—he assumes Miss Havisham is his benefactor.