We have a copy of Love, Only Better by Paulette Stout to give away!
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Farris both hides behind a mask and doesn’t. As any poetry creates a mask that both conceals and reveals, she gives readers poetic glimpses behind her mask with tight, lyrical lines. Farris controls the lens that we will look through to get to know her poetry and her personal medical journey. She gives readers an opportunity to see but not dwell upon the upheaval thrust on her life by interactions with medical staff, her husband, and the public.
While it can be imprecise to learn history from a novel, The Bohemians describes a time and place and its characters so vividly that it surely enhances what one might learn from the straight historical texts. This is a fine, worthy book with its defined and canny captures of Lange, Lee, Dixon and others, and an engaging, rewarding read.
Sparring Partners is only as much about boxing as Moby-Dick is about whaling. Like any true work of art, it’s about life, its fleeting glory, its many sadnesses, its long decline, and finally its inevitable disappearance. In the end it’s about accepting that we all fall and break apart, and as such, it’s a terrific read, well worth your time.
Tupelo is the perfect press to release a book like this. Founded in 2001, their twenty years of knowledge shines through, as does a pragmatism that I’m afraid could be lost if one of the big five publishers attempted to publisher a similar book. It’s apparent that Tupelo has a history of what they refer to on their website’s call for submissions as “energetic publicity and promotion.” That energy is contained in the dense sixty-some pages of Open Secrets.
The author of Here We Go Loop de Loop talks about his new book, his life, writing practice, favourite authors, tips for writers’ block, his ideal Hollywood cast, and more.
We have a copy of Here We Go Loop de Loop by William Jack Sibley to give away!
Saunier’s skills as a poet are showcased throughout this collection, but she works deftly and quietly, never browbeating the reader. A first read allows a simple pleasure in the words; it is upon a second and third read that nuanced layers unfold. For example, “Dirt Smart” begins with the lines, “You have to eat a peck of dirt / before you die, my grandma said. / I worried. Do I have to?” The poem continues with a description of the grandmother’s hard scrabble childhood in the tobacco fields “dug deep with labor, slaughter / and someone’s finger weighting every scale, / the way most land accumulation’s won.”