Fred Reinfeld’s venerable book, consisting of 1001 checkmate puzzles arranged by theme, has been edited and recast into algebraic notation by Bruce Albertson. Themes include the queen sacrifice, discovered check and double check, and pawn promotion; and only the last chapter, a collection of composed problems, seems out of place. What you have got otherwise are positions taken from actual games that are of, at most, a medium level of difficulty.
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A review of Mortal Bonds by Michael Sears
It is a satisfying thriller with a diverse range of well-drawn characters, not least the Kid, Stafford’s autistic son. There are surprises right up to the end, the prose crisp and effective throughout. You learn something about finance along the way. And altogether it feels fresh and cliche-free.
An interview with Jennifer N Martin
The author of Psoriasis—A Love Story talks about her book, her inspirations, her writing style, her writing mentors, what’s on her reading table, what she learned from writing her book, advice for other writers, her favourite quote, and lots more.
A review of San Remo 1930 International Chess Tournament by Robert Sherwood
This is an excellent tournament book, which gives a genuine flavour of the chess milieu of the time. All the games are annotated, the vast majority by Robert Sherwood, though some by Alekhine, Nimzowitsch and other players and contemporary commentators.
A review of Autoethnographic by Michael Brennan
Autoethnographic is a difficult read. Though the poems are deceptively prosaic, they don’t yield their messages easily, and are unsettlingly dark, disjointed, and at times, so self-referential that they feel like a chaotic nightmare. But once you let go of the desire for linearity and meaning and instead open up to the linguistic subtleties, to new modes of perception, and to the revelations which are decidedly non-linear, the work becomes quite special.
A review of Fractured Legacy by Charles B Neff
I found characters to be well fleshed, credible, some are not completely likeable, on the other hand. that is what we find in life in general. Situations and locales are dynamic, discourse is realistic, convincing and set down in satisfactory manner. Movement of the narrative grips the reader at the inception, clenches reader attentiveness with a powerful grasp from opening lines to the last paragraphs and leaves the reader with a sentiment of a saga full of twists and turns.
A review of One Evening in Paris by Nicolas Barreau
The discussion of film elevates the novel above and beyond category romance. Alain’s Uncle Bernard liked films that “had an idea… moved people…[and] gave them a dream to take with them” – all elements necessary for a good story, whether on film or in print. Through Alain, Nicolas Barreau lists the “golden rules” of good film comedy: “a chase is better than a conversation”; “a bedroom is better than a living room”, and “an arrival is better than a departure.” Barreau uses these storytelling principles to good effect in One Evening in Paris.
A review of The Copper braid of Shannon O’Shea by Laura Esckelson
Each day we write the new rhyme words in our journals and practice saying them. By book’s end we have added many rhyming words to our journals and have enjoyed a really fun tale about a little Irish girl. During the period we work with our globe and maps to help us understand where to find Ireland in the world, we discuss leprechauns and societal tales and the fun of childhood. I find The Copper Braid of Shannon O’Shea to be a wonderful teaching aid, a lovely and fun narrative.
Interview with John M Cummings
The author of Don’t Forget Me, Bro talks about his novel, the first book he remembers reading as a child, what he’s reading now, his inner garden, the last thing he googled, and what makes him cringe.
A review of Unlock Your Style by Nikki Parkinson
There are a few things I really like about this book. The first is that Nikki Parkinson targets the advice in this book to real women, and uses women models who are a variety of ages, shapes and sizes. The second is the warm, down-to-earth, non-judgemental tone that is always focused on feeling good over dictates.