Where the Time Goes, a review of Knowing by Mark Cox

Perhaps all of the aforementioned influenced the distinct voice in Knowing, a voice that probes and wonders, laments and celebrates. Three central ideas are: The past is good, the present is better; fate coexists with human will; and time is unstoppable, art stops time.

A review of Finish What We Started: The MAGA Movement’s Ground War to End Democracy by Isaac Arnsdorf

The fanaticism of the MAGA conservatives rests on cynicism and conspiracy, a fundamental belief that the world (the Republican party, Democrats, Hollywood elites, paper shredding trucks) is out to get them, to squeeze their voice—and their vote—from existence. In their view, the only way to fight this grand conspiracy is through a ferocious commitment to ideology and an organized grassroots movement, sponsored by MyPillow.

A review of Shocking the Dark by Robert Lowes

Scant need to explain the theme. Here we have a wistful reflection, one of the attendants of faith. The question of evil is difficult enough; here we touch upon the divine conscience. And it’s even in an almost 10-9 meter, save for the final line. Almost.

A review of Little River of Amazement by Mary Kay Rummel

Mary Kay Rummel’s universe is vast, but as “Ars Poetica” spells out, she focuses on the world around her with a keen attention to detail. The title, indeed, says it all.Little River of Amazement comes from one of the new poems, “December Bodies,” in the first of her two-part suite of new work, For the Speechless World.

A review of Zero at the Bone by Christian Wiman

Poetry gives suffering form, and giving suffering form is an antidote to despair.  Yet content matters, too.  For Wiman, much confessionalism is “an idolatry of suffering…an outrage that no person (or group) has suffered as we have, or simply a solipsistic withdrawal that leaves us maniacally describing every detail of our cells.