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I’ve been fascinated by Martin’s work since we first met in the mid 1980s. His observations are probing without condescension, and his special brand of humor highlights the peculiarities of human nature as well as the mysteries of the world. He is prolific but never redundant. Given the particularly turbulent state of the world currently, I believe his work is extremely relevant, and readers can benefit greatly from his insights.
The short poems throughout Essence work perfectly for the discrete subject matter and are easy to read, but the simplicity belies the depth of this work or the way it interrogates language and the impact it has. Readers will enjoy the many literary references and links throughout the book, and the way in which On collates external sources with a sensual framework. Essence is a pleasure to read, beautifully written, funny and often deeply moving.
Twelve Days of Transfer tells the story of Kedney’s own unsuccessful attempts at carrying a child, the complex emotional responses to the inability to conceive, the guilt, the grief, but also the relief. She writes about her experiences in grief support groups and with friends, as well as her own complex IVF experience.
This book is a poetic and visual artistry, it is also a love song shaped from nature’s elements — sand, salt and time. Pollak reminds us that sticks, though broken, remain strong, wild and full of untamed beauty, capable of profound acts of resilience and grace.
You immediately empathise with each of these characters as you turn the pages to their respective POVs, and that’s precisely the glitter of Bourne’s writing. Her character-driven templates are so watertight, and her characters so realistic that you can even imagine them as real people in your own life.
The Suspension Bridge is a good, even excellent novel which unfolds logically and leaves the reader thinking about human nature, the supernatural, and the social changes that began in the 1960’s. I remember those days.
Wheeler’s ideas synthesize unusual word groupings; from these combinations new qualities emerge, such as unpredictably jarring, sometimes funny internal and end rhymes, line breaks, and punctuation, not unlike the way speakers of a language are able to generate an infinite number of sentences from a finite set of syntactical rules.
A spectrum of characters populates the prismatic flash in Bare Ana. Every story sings a surprise or a change of perspective. A couple honeymoons in Wakiki, but the husband falls off a twelfth-floor balcony. A young girl in a leotard flips an impossible set in front of a judges’ panel. A weather forecaster flies off – not to another television station – but on a renegade weather balloon.
Author and editor Diane Gottlieb speaks with Robert Shapard on Zoom about his fascinating life in the flash world, the importance of detail and image in very short fiction, and how stories come to him.