Tag: poetry

A review of Sea Skins by Sophia Wilson

Wilson works every word with the precision of a linguist, drawing out the sounds of words, “The tick-tock knock of one hundred clocks” or “three shells cantering takka tak takka tak”. Alliteration, rhythm, rhyme, parataxis – the poems employ a range of techniques that make them aurally beautiful

A review of Oh My Rapture by Gemma White

Hidden amongst all the coarseness and slang words there is gentleness and poignancy, as you read page by page you can feel it. There is a voice impregnated in the words of the poems that are like two forces, forces that propel and repel each other. 

A review of Dug-Up Gun Museum by Matt Donovan

Donovan’s poems, sensitive and unflinchingly brave, pull us through this grisly reality, showing our country’s stubborn and sick fascination with guns, and downright reverence. We are expected to bury our human dead, and accept that guns will be dug-up. Not as relics, but as emblems of American freedom. New guns will be manufactured and purchased every day. Made to do what guns do.

A review of I Have Decided to Remain Vertical by Gayelene Carbis

An old literature professor I once had used to say, regarding the writing of poetry, “Don’t use the I”, “Don’t talk about feelings”, “Don’t be personal”, “Don’t use dialogue in poetry”. In I Have Decided to Remain Vertical Carbis breaks every rule, and the result is magnificent.

A review of Hello Nothingness by Eric Stiefel

The contradictory images reflect themes throughout Stiefel’s verse, which oscillates between nihilism and contentment – or at least resignation and a sensual appreciation of the ephemera of the world. As he writes in the opening poem, “Lest”: “I devour everything I can, the mind defaced, a tattered gown, strawberry leaf, a statue, half-submerged.”

How Light Comes Up Off the Lake: a review of Old Snow, White Sun by Caroline Goodwin

Not at all self conscious, these poems are quite deliberate, the made thing. Each has its note of authority, as in the first poem’s first image, “the common loon made a thumbprint on the lake.” Part elegy, part journal, part memoir, part love song, part accusation, part celebration, all in the voice a person with something to say, a poet with the ability to make a word—loon, cattails, meadow—all her own.

A review of Monster Field by Lucy Dougan

The work feels intimate and subtle, as if a curtain were being opened, little by little, inviting the reader to peak behind the immediate appearance to find something more, for example, the simple act of putting up wallpaper–child and father, revealing so much that is unspoken and understood with hindsight:

A review of Voices of Freedom: Contemporary Writing from Ukraine edited by Kateryna Kazimirova and Daryna Anastasieva

The collection, which is beautifully curated, includes twenty seven living authors from the Ukrainian community, whose work explores a wide range of topics from the many invasions of the country, from the War in Donbas in 2014 which led to the annexing of Crimea through to the major escalation in February 2022, but also poems, essays and stories about the desire to maintain a cultural identity, oppression, love, the climate, forest, feminism, friendship, and pleasure.

A reviews of Settler by Maggie Queeney

If I imagine these poems written on canvas, I think of them as “blood-anointed.” Queeney bears witness and makes frank the realities of these women, or the female experience that may read removed but isn’t always entirely separate from us today.