Clift’s performance is austere and sensitive, and he is so deep inside his character that one cannot see a false moment or move. Michael Logan seems like a man who has found a way of being himself by being a priest: he is alert, direct, frank, moral, and sensitive, contemplative, sacrificing, and of service.
American Monsters in Francis Ford Coppola’s masterpiece The Godfather
In light of the fact that little could be said to be at stake—the son of a major criminal becomes a criminal, and he and other criminals try to kill each other, one would think that the story would have less grasp of the imagination of the viewer, but its grasp is secure thanks to the attitude, atmosphere, and tone of The Godfather.
Luchino Visconti’s The Leopard, a great film focused on Sicilian aristocracy and cultural change
Burt Lancaster is the patriarch, Don Fabrizio Corbera, the prince of Salina, and his way of life is threatened by revolutionary change: the struggle to unify Italy, and the rising commercial middle class, are at his door. There are predictions that the aristocracy will lose its status, the prominence of its values, and possibly its lands, and that the church may lose as much too.
A review of Curiosity Killed the Sphinx, and Other Stories by Katherine L. Holmes
Holmes likes to use language vividly and originally. Cars “crept to the curb on tire tiptoe”; a woman walks in a “toothache of time”. Holmes also uses patterns of imagery to convey her themes. In one of my favourite stories, “Nuts and Bolts”, a childfree couple choose not to spend a holiday with friends – the “same old bunch” with a third baby among them, but to stay in the city together.
A review of Fit, Fifty, and Fired Up by Nigel Marsh
That so many men (and some women) live lives of servitude and never stop to think about who they are or what they might want to really achieve in the short space that we have is a modern tragedy. Marsh gently and humorously makes this obvious, and in the changes he’s created in his own life, sets a trend that others can easily follow.
The Adventures of Tintin: Young Readers Edition by Hergé, with extra material by Stuart Tett
For new audiences, especially the younger set, the convoluted plots can often be a little tricky, and Stuart Tett has created a new series that is faithful to the original Hergé version but that adds in lots of material to help situate the stories.
The Re-(w)Rite of Spring, a jazz work by the Mobtown Modern Big Band, interpreting Stravinsky’s Rite of Spring, arranged and directed by Darryl Brenzel
His Rite of Spring remains central; and its forceful jazz interpretation, arranged by Darryl Brenzel, and performed in Baltimore in 2010 at the Metro Gallery by the Mobtown Modern Big Band, is controlled, offering a shimmery, sizzling sound, with varied pacing that sustains attention.
Hallucination and Healing: The Kiowa Peyote Meeting, Songs and Narratives, featuring Winston Catt, Everett Cozad, Ray and Blossom Coza, George Saloe, and Henry Teimausaddle
There is a droning kind of chanting, earthy, intimate, intense. The songs are dedicated to particular times—such as morning and midnight, with prayers for “everybody.” The chants with both male and female voices have a greater appeal than those with only male voices—there is more complexity, and clearly more community.
Eleven Short Stories, music inspired by film, composed by experimental Turkish composer Erdem Helvacioglu
On his album Eleven Short Stories, he has transformed his piano into the most flexible of instruments, augmenting it with odd implements and making it sing with new tones, telling vivid tales. The pianist, guitarist, and composer Erdem Helvacioglu, informed by classical, folk, and popular music, has wanted to bring together emotion and experiment.
Cornelius Duffalo’s Journaling, featuring the work of John King, Joan Jeanrenaud, Huang Ruo, Vijay Iyer, John Luther Adams, and Kenji Bunch
On Cornelius Duffalo’s Journaling, short, repeating patterns begin to expand, double, triple, quadruple in Vijay Iyer’s “Playlist One (Resonance)” then become simple again; and there is plucking, wailing, then great fast rhythm. In his album notes, Duffalo says the Iyer piece “alludes to the tradition of virtuoso variations, complete with fiendishly difficult passages of harmonics, double stops and left-hand pizzicato, while also creating a unique contemporary sound world.”