We have a copy of Will End in Fire by Nicole Bokat give away!
To win, sign up for our Free Newsletter on the right-hand side of the site and enter via the newsletter. Winner will be chosen by the end of September from subscribers who enter via the newsletter. Good luck!
Hubschman has a close style with a mixture of tenses, one that always stays close to the mind of the woman whose story this is. She tends to chew to the pith with brief character descriptions: “…Nina was at least a half-foot taller than Joy with dark cropped hair and fashionable chunky-framed glasses”.
Eugene Lim has buried a layer of magic deep below the surface of the early chapters and it rises slowly as the narrative progresses. When it finally surfaces on the page, it shimmers along the edges of Sarah and Jim’s lives, turning the banal into the weird and supernatural.
We have a copy of A Golden Life by Ginny Kubitz Moyerto give away!
To win, sign up for our Free Newsletter on the right-hand side of the site and enter via the newsletter. Winner will be chosen by the end of August from subscribers who enter via the newsletter. Good luck!
What is true? What is not? The protagonist, Simone, arrives in Istanbul with her friend, Agnes. The city, partly European and partly Asian, hints at the dichotomies in Simone’s life and the fusion and confusion she encounters.
Tóibín excels at novels from a woman’s point of view. Here he gives a sympathetic portrait of two women shaken by events and hoping for a second chance. The main male characters, Tony and Jim, lack the determination and character of Eilis and Nancy. Unthinking, they grab onto the first thing that comes along.
Through sparse prose, a keen eye for detail, and sharp social critique, the stories in Rainbow Rainbow create a sense of fluidity both in scope and philosophy grounded only by the limitations of the body and the identities we associate with it.
Grace Cavalieri is by turns as sagacious and oblique as a Zen koan, her verses brimming with aphoristic wisdom, and also charmingly chatty, like your best friend in the world, oscillating between aloof and intimate but always appealing.
In this entertaining and creative novel, Castrodale smartly weaves together modern and classical literary takes on potions and tonics, nature and nurture, motherhood and friendship, grieving and healing, and the perils of trusting the wrong people while distrusting one’s own instincts.
Poetry gives suffering form, and giving suffering form is an antidote to despair. Yet content matters, too. For Wiman, much confessionalism is “an idolatry of suffering…an outrage that no person (or group) has suffered as we have, or simply a solipsistic withdrawal that leaves us maniacally describing every detail of our cells.