David Wark Griffith’s Broken Blossoms, or the Yellow Man and the Girl (1919) is about a girl abused by her father, a girl who knows little joy until she meets a Chinese shopkeeper who befriends her; and the film’s themes, which encompass the differences between east and west, spirituality and materialism, and compassion and brutality, remain interesting; and the film’s narrative movement gains in complexity; and the film’s compositions—dynamic frames featuring expressive actors in settings full of detail—make compelling viewing.
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A review of The Best Australian Stories 2006
Good short fiction works a quite a different dimension to novels – it needs a fast denouement, and the language has to be sharper, cleaner, more exacting because of the limited space. All of this stories in this collection are complete – leaving the reader with some kind of denoument. Drewe has chosen well, and the book contains a good range of material, from the modern to the traditional, funny, serious, intense, lighthearted – funky or political.
Lovely Lady and Singer: Amel Larrieux, Lovely Standards
I am glad that Amel Larrieux has made Lovely Standards, a recording that will not ignite a revolution in the arts, in the churches and temples, or in the streets: however, it can inspire delight, and even thought, in the listener. How often do we need less beauty in the world?
The Capitulation to, and Challenge of, Belief: Sinead O’Connor, Theology
It is an interesting idea to produce more than one version of a song for the public, something artists have been doing more and more in the last two decades. Sometimes, as here, the difference in instrumentation and interpretation allows the listener to get a sense of how many doors there can be into an experience, and how supple a perception can be.
Difference Is No Threat: Angelique Kidjo, Djin Djin
Angelique Kidjo is a dynamic, intelligent, and intense performer; and with Djin Djin Angelique Kidjo may be posed to consolidate and expand her popularity. Certainly, the musicians she has chosen to work with suggests a diversity of artistic interests and musical constituencies.
Cowboy Junkies, At the End of Paths Taken
The songs on At the End of Paths Taken attempt to suggest the complexities—complications and contradictions, coincidences and correspondences—that are to be found in an individual mind, in a relationship, in a society. That is a respectable mission, but it is not as unusual as I have sometimes thought—it may be the most lasting goal of serious, modern artists.
Tribute: Joan Armatrading, Into the Blues
Does it matter when a mature musician decides to explore a musical genre, such as the blues, that has become somewhat neglected? On the album Into the Blues, Joan Armatrading’s song “A Woman in Love” is about the power of love, its ability to calm, to correct; and the blues notes in the song do not forbid rhythmic propulsion or Armatrading’s distinctively contemplative—austere, open, and pleasantly thoughtful—vocal tones. It is possible to hear a difference in her sound and yet it is a difference that does not obscure Joan Armatrading’s temperament or the nature of her much-loved gifts (it is simply a new accent, a new tonal color).
Masters at Work: George Benson and Al Jarreau’s Givin’ It Up
George Benson’s voice lacks the mannerisms one might have expected from someone of his mature age (his voice seems clear, deep, expressive, flawless—I cannot imagine what a George Benson imitation would sound like). Benson’s solo performance of “All I Am,” composed by Rex Rideout and Phillip Jackson, affirms the song narrator’s humility and genuine love.
A review of Knight on the Left: 1.Nc3 by Harald Keilhack
This is very much a superior opening book. It is intellectually stimulating, a rare virtue, and it presents a thorough survey of 1.Nc3, demonstrating that it gives realistic prospects of a White advantage. A comprehensive list of research materials used by the author – including books, periodicals, databases and internet sources (web pages and newsgroups) – rounds off the book nicely.
A review of The Collins Australian Dictionary 9th Edition
The latest Collins Australian Dictionary is a beauty and has everything you want in a dictionary. It’s both ultra-modern and classic; big in scope and size, but still fits on the bookshelf; attractive but not the slightest bit obsequious; serious but with its nod to lingo and mediaspeak, still fun. If you don’t already have a major dictionary reference tool, this is an exceptional one, and though not cheap, an excellent investment.