Tag: short stories

A review of Bodock by Robert Busby

The threads creating the tapestry are often thin, though. Rarely, if ever, will the same characters appear across multiple stories. There’s a joy to be found in wondering whether you’ve just met an unnamed character from a previous story, or if the same dinghy bar or stretch of road is being used as the setting. Despite the lack of crossovers, Busby still manages to make Bodock feel like a fleshed-out, lived-in town, with a community of believably-flawed people.

A review of 18 Shticks by Margarita Meklina

At forty-five pages, 18 Shticks isn’t a long collection, but it covers a lot of ground. Individually these are stories of ordinary lives made surreal through life’s twists, through close examination, and through a sense that just beneath the surface of any situation, there is another reality simmering.

A review of Exit Zero by Marie-Helene Bertino

This is no ordinary collection. The Bertino omnibus features a Guignol-esque cast of characters readers will readily recognize because, flights of abstruse and absurd fancy aside, they abide and strive, hungry ducklings all, within each of us.

A review of Men Behaving Badly and The Corona Verses by Tim O’Leary

With both Men Behaving Badly and The Corona Verses, both published by Rare Bird Books, Tim O’Leary proves himself a master of the short form, unafraid to wade into messy, uncomfortable terrain with equal parts irreverence and empathy. These aren’t just stories about individual characters—they’re honest reflections of a country in flux, where comedy and tragedy often sit side by side.

A review of The Three Devils by William Luvaas

What an amazing collection. The best advice I can give a potential reader: pour a cup of coffee or a glass of wine, or even better, both, sit in a dark room with only one light on to illuminate the pages, and sit in the most comfortable chair you have. Prepare to stay awhile. You won’t want to stop.

A review of Everything Must Go by Dan Flore III

In the flash fiction of Dan Flore the conflict could go either way, and often, to his readers’ benefit, it does. Everything Must Go does indeed entertains, and often his protagonist’s pain is his reader’s pleasure. The poet and memoirist John Yamrus’s introduction gives readers a good perspective on Flore’s work.

A review of The Nothing by Lauren Davis

Set against the misty isolation of the Pacific Northwest, these stories hum with a quiet unease, exploring themes of solitude, loss, and the strange ways reality can shift when you least expect it. The characters find themselves in unsettling situations where the ordinary turns uncanny, and the familiar feels just out of reach. Davis resists easy categorization, blending elements of the fantastic with grounded, emotional storytelling.

A review of The Bone Picker by Devon Mihesuah

While this book is a clear indication that Choctaws also like to tell each other scary stories, the implication of that line is that Choctaws have many stories. But when these narratives diverge from Anglo-European expectations, settlers and their descendants almost immediately force them into gothic or horror storytelling structures.

A review of Beam of Light by John Kinsella

In many ways the characters of Beam of Light are cut off from themselves, but looking up at the stars (multiple light beams) or walking in the woods, they have moments, often fleeting, of self-awareness, where the individual becomes part of a collective and the pain resolves.

A review of Maze by Jennifer Juneau

Jennifer Juneau deftly plays the reader with astounding grief one minute and manic hilarity the next, sometimes both at once. It’s a cinematic maze of emotions, as in a film noir where you wonder if that lady at the playground is the kindly caregiver she appears to be or a monstrous child molester.