As an artist, Caniff uses square or rectangular panels, nothing fancy, about three or four to a row. The panels show a continuous change of perspective, to involve the viewer in Canyon’s world and create the impression that you inhabit the same space. There are wordless fight sequences and car chases; gorgeous, high-kicking, high-cheek-boned femme fatales; the use of montage and other cinematic effects.
Tag: fiction
A review of George’s Secret Key to the Universe by Stephen and Lucy Hawking
Reviewed by Magdalena Ball George’s Secret Key to the Universe by Stephen and Lucy Hawking Random House ISBN 9780385612708, $27.95aud, ages 9-12 http://www.georgessecretkey.com/ Some of my earliest defining experiences involved the planetarium. I will never forget sitting in that big…
A review of My Inflatable Friend by Gerald Everett Jones
My Inflatable Friend is a super easy read that won’t tax even the laziest reader. It is pitched to a male audience in the main, and makes no apologies for that – there’s plenty of wish fulfilment, skirt chasing, and a definite male perspective. But the book isn’t dumb either.
A review of Magic and Grace by Chad Hautmann
Unlike Billie’s Ghost, the magic in Magic and Grace is all metaphorical. There are visitations though. Chapman’s father materialises temporarily to give Chapman his blessing, there are the ghosts of the ancient Calusa buried below the city of Naples where the book is set (and the ghost of the city as it changes progressively), and of course the ghost of Keats from Chapman’s first novel.
A review of The Confessions of Owen Keane by Terence Faherty
The stories are indeed rather special and they develop the crime genre in a fascinating direction. Owen Keane fulfils many of the roles of a priest – he offers pastoral care to his “parishioners” and feels an imperative to save or rescue them. More often than not, it is he who decides when and how to offer help, responding to a need that is not apparent to others.
A review of Aphelion by Emily Ballou
Ballou has created a much more complex novel in Aphelion than in Father Lands, but it’s no more difficult to read as a result. The complexity of time, place and multiple view points is dealt with sensitively and with a sophistication that is always tempered by Ballou’s great love of character and language, and an undercurrent of enduring humour that’s never far beneath the surface.
A review of The Do-Nothing Boys by Tony Nesca
Some of this novel is clumsy and a little repetitive, but the ferocity of Nesca’s writing is indomitable and covers weaknesses with something that approaches indisputable glory. He is a poet writing prose and dealing with material that is so close to him that he often struggles to manage it objectively. It is raw honesty from one of life’s damaged angels and worth your attention.
A review of Making Money by Terry Pratchett
Pratchett shows his usual flair – wonderfully Dickensian – for names. Lipwig’s girlfriend, a very abrasive young woman, is Adora Belle Dearheart. And the fun gathers in the last quarter of the book to reward the persistence of the reader.
A review of Long Afternoon of the World by Graeme Kinross-Smith
The photographs become everyone’s close people. The times and places become our own memories of what we’ve known, and been and where we’ve ended. It is, indeed, a long afternoon – and at the end of it is evening. Though this isn’t a fast novel to read, nor does it leave the reader with a denouement in any sense. Yet it is both beautiful, and powerful in its ability to draw out, like a great poem, the core meaning of a moment.
A review of lettre a d. histoire d’un amour by André Gorz
It really is a lovely, warm piece, and a weepy one for knowing the end of their story. I was relieved that the plan to end of their lives together was not chronicled here, because I became somewhat enamoured of both of them, and of the love they shared.