Almost more important than the major transitions in these lives are the impact of day to day living – the dust that fills the pores; the washing of clothing; the purchasing of art. What makes this work distinctive is the intensity of the narrative gaze. We learn about the characters through an almost anthropomorphic rendering of the natural world they observe.
Tag: fiction
A review of Why She Loves Him by Wendy James
Coupled with our ability to distance ourselves with the hugs that we instinctively give our children when we put down the book after each story — is that awful sense of recognition – the realisation that they aren’t so alien after all. These are grey shades of humanity that aren’t so foreign, though we might like to think so. It’s scary and eye opening. This is a powerful collection of stories, that manages to toe the line between postmodern and classic.
A review of Why She Loves Him by Wendy James
Coupled with our ability to distance ourselves with the hugs that we instinctively give our children when we put down the book after each story — is that awful sense of recognition – the realisation that they aren’t so alien after all. These are grey shades of humanity that aren’t so foreign, though we might like to think so. It’s scary and eye opening. This is a powerful collection of stories, that manages to toe the line between postmodern and classic.
One Man’s Deep Disturbance: The Skating Rink, a novel by Roberto Bolano
There is a scintillating splendor and a bustling rhythm in “Rainbow Wheel,” with warm long lines of sound from the saxophone, and piano notes amid a quiet interlude, bubbling vibes, and the solitary, subtle quality of the bass. It sounds terribly romantic but “Starbeam” seems music of virtue, music that heals rather than hurts.
Surprising, Thrilling, Troubling: Jericho’s Fall, a novel by Stephen L. Carter
The novel moves fast through conversations and acts, featuring intriguing characters, and often there is believable emotional weight as well as interesting political speculations. Carter’s use of language (in narrative and dialogue) is at a high-level with only of few points of stiffness.
Early American Life, and Slavery: Toni Morrison’s A Mercy and Edward P. Jones’s The Known World
It is a book about civility and savagery, intelligence and stupidity, love and hatred: life and death. It also concerns a theme that may be as timeless: what children do not understand about parents, especially their acts, as well as feelings, within the treacherous churnings of history (thoughtful concern can look like indifference).
Self and Other, Fiction and Fact: Philip Roth’s novels Indignation and The Human Stain
Philip Roth seems to want to enrich our sense of the present by increasing our knowledge of the past—the pagan Greek roots of western civilization, the rigorous intelligence too: we must accept complexity, contradiction, multiplicity, plenitude.
A review of Cut Short by Leigh Russell
One advantage of Steel’s characterization is that we have been spared an extended description and explanation of her taste in music, food or clothes. And nor have we been presented with the odd zany detail: Steel does not have a troupe of cats named after jazz greats, for example, or a friend with a predilection for t-shirts with ‘amusing’ slogans.
A review of The Earth Hums in B Flat by Mari Strachan
There’s a linguistic richness throughout the book that is both intensely detailed, and full of the daily life of this Welsh village with all of its idiosyncrasies. Gwenni’s mind is fast thinking and she doesn’t miss much, but she also sees beyond the surface of things. The reader is always shown, rather than told, what Gwenni feels, as she submerges her emotions into the faces in the peeling distemper on the walls, or the Toby Jugs on the shelves.
A review of The Earth Hums in B Flat by Mari Strachan
There’s a linguistic richness throughout the book that is both intensely detailed, and full of the daily life of this Welsh village with all of its idiosyncrasies. Gwenni’s mind is fast thinking and she doesn’t miss much, but she also sees beyond the surface of things. The reader is always shown, rather than told, what Gwenni feels, as she submerges her emotions into the faces in the peeling distemper on the walls, or the Toby Jugs on the shelves.