Tag: fiction

A review of The Buried Life by Andrea Goldsmith

Goldsmith writes with the perfect combination of intensity and restraint, balancing the forward motion of the novel’s rich plot, a linear arc of emotional awakening that picks up the book’s title, with philosophical reflection that leans into the poetic and unspoken qualities of music and poetry.

A review of Griffintown Sisters by J. Emile Turcotte

Griffintown Sisters is vividly written, with multi-faceted characters including strong, resourceful women. The sisters’ love for each other and their struggle for survival come across clearly.  This book will provoke thought about whether or not things have changed much for people at the bottom of society’s ladder.

A review of Home of the American Circus by Allison Larkin

Larkin has the uncanny ability to paint each person in Freya’s orbit as if they were living, breathing figures, complete with their own hopes, flaws, and secrets. Through her vivid descriptions and nuanced dialogue, each character feels indispensable to the story, enriching the tapestry of the small town and making Freya’s world achingly authentic and free from judgement.

A review of Divorce Towers by Ellen Meister

Toss in an attention-averse internet celeb, a shy New Englander fleeing an abusive spouse, the theft of a bejeweled faux Fabergé egg, an enigmatic dominatrix, and a gaggle of superannuated, hilariously rapacious divorcees, and you have a combustible mix. Divorce Towers is classic Ellen Meister — fast-paced, breezy, and funny AF.If you’ve liked Meister’s other offerings, you will surely love this one.

A review of The Burrow by Melanie Cheng

Cheng’s writing is so lovely, and her insights so acute, that even the slow chapters remain engaging. Her figurative language is especially striking. When Amy drifts into sleep, “better days flash, in orange hues, behind her lids.” Pauline reflects that, when one is young, “death [is] something to be teased and taunted, unseen and remote, like a hibernating animal.”

A review of Boysgirls by Katie Farris

Farris successfully grabs onto the reader and throwing them into the center of the action, along the meta, fourth-wall breaking asides that forces the readers to interact and not just observe. These unnamed characters who are often referred to their functions have broken through those constraining words. These forms created new life, new beings, and new meanings to what literal hybrid forms as Farris proves new literature should be just as bold as she demonstrated.