A review of Bone Chalk by Jim Reese

Whether serious or silly, Reese’s prose reads like poetry. He says more in a paragraph than most authors achieve over several pages. The final chapters are the shortest and most personal vignettes featuring his wife, daughters and co-workers.  Reese finds the profound in everyday, parochial life in Bone Chalk.

An interview with Joey L. Dowdy

The author of Rise to The Rhythm talks about his book, his past struggles, his strategies for staying positive in the face of these, his inspiration, how to overcome a rut, the books he’s reading, how he balances the different segments of his life, and more.

A review of Recipe for Garum by Robert Letters

The poems in this section express deep feelings for nature as is characteristic of the genre. The sensory details and expressive language in this section are enhanced with striking imagery and in some of them, deep emotions.
Recipe for Garum is an unusual book: very well written and entertaining. Reading it is a quiet pleasure.

A review of Unfinished Child by Lindsey Warren

Put the idea of reading this book of poetry cover to cover to bed. For the reader to have control over direction but not the journey’s destination makes Lindsey Warren’s inventive debut collection, Unfinished Child, read like real life. But moving through the poems also parallels a “Choose Your Own Adventure” book.

A review of The Persecuted by Krishna Mohana Banerjea

Paromita Sengupta’s “Editorial Notes on the Text” as well as “Bibliography” help us understand the text better and stir our desire to know the life and times of the protagonist, Bany Lall, and like-minded youths thoroughly. It is a must read for every Bengalee, nay Indian, who would love to trace the history of the times, seemingly past and lost in the abyss of time.

A review of All the Lives We’ve Lived by Roslyn McFarland

Kate’s trajectory is one of discomfort and discovery as she unearths, and then rewrites her history and the history of Salt Pan Creek, facing the wrongs she and her people, including her own parents, have done, and attempting to right them. McFarland does a beautiful job of pulling history, fiction, multiple love stories and trauma together into a coherent narrative that is powerful.