In Ivory, Goldstein has created a place that exists only on its own terms. There is no bridge or overlap; Ivy’s different lives exist side by side. She moves from one to the other with little effort because no effort is necessary. Ivy is able to deal with the chaos that comes with the talent attractive to a muse.
Interview with Sybil Baker
Sybil Baker’s latest novel is While You Were Gone (IPPY Silver Medal). In this interview with novelist Ketaki Datta, Baker talks about balancing the demands of writing and teaching, about living in Chattanooga, her students and their impact on her work, her plot and character development, on the integration between showing and telling, and lots more.
A review of Everything Inside by Edwidge Danticat
An interview with Douglas Cole
The author of The Blue Island and many other poetry collections talks about his work, the influence of being a resident of Washington, why he loves poetry, his awards, and more.
A review of The Theory of Flesh by Francine Witte
Like a scientist of existential torment, with a Ph.D. in Angst Studies, Francine Witte spells out the origins of regret, heartbreak and loss in this comprehensive, tender collection of poems.
An Interview with David Puretz
The author of The Escapist talks about the inspiration for his new novel, on self-reflexiveness, metafiction, metanarration, Paul Auster and other influences, on the frame narrative structure, his setting, experiment and contemporary lives, and lots more.
An interview with Elliot Perlman
The author of Three Dollars talks about his new work and its origins, on writing about sexual harassment, on the times we live in, his characters and his real life experiences in law, tips for writers, and lots more.
A review of Giant Steps Edited by Paul Munden and Shane Strange
There is so much to explore in this wonderful collection: work that stretches the imagination, plays with language, time, and space in order to explore human endeavour, both scientific and artistic – and in many cases the distinction becomes blurred. Strange and Munden have done an exceptional job choosing and structuring poems.
A review of Year of the Monkey by Patti Smith
Not many writers could pull off such a diffuse structure but Smith does it beautifully, using her poetic vernacular and pulling the reader in so tightly, we begin to think and perceive in Smith’s fragmentary, hallucinogenic way. The result is strangely exhilarating.
A review of Emerald City by Brian Birnbaum
Birnbaum, a CODA himself, loves florid, beautiful, language. Perhaps being a hearing child of Deaf parents channeled his talents to the written page more readily than to a spoken art? Some well-turned sentences are spot on: “Matthew was a walking gerund, always stating things that could’ve just been done in the first place” personifies the unity of word and action by using its difference.