An interview with Gleah Powers

The author of Million Dollar Red talks about her latest book and what she’d like readers to know, Why she chose Vine Leaves Press, about genre fluidity, about working across artistic mediums, her work in progress, and lots more.

A review of Vault by Alice Jones

This collection is a word feast to be read over days, not in one sitting, and these poems by Alice Jones deserve to be savored. Despite frequent medical and historical multisyllabic vocabulary, many of the poems regard common social phenomena. Readers will appreciate each word as they feel the momentum of stylistic and linguistic rhythms within and between sentences.

An interview with Geoffrey Gatza

The author of The Albatross Around the Neck of Albert Ross talks about his latest book, the relationship and differences between the young adult writers and poetry communities, his work on the journal BlazeVOX, experimental fiction, children’s literature, what’s on his writing desk, and lots more.

A review of The Albatross Around the Neck of Albert Ross by Geoffrey Gatza

Gatza’s collection of short stories highlight important ideas such as connecting with family members, living the fullest life, challenging how to think beyond the obvious, and learning how to handle grief. Each of these lessons are truly important for both children and adults alike. What connects each of these stories, however, is the ability to experience each day with someone that readers care about whether that be a family member, a parent, a friend, or a sibling.

A review of The Alpaca Cantos by Jenny Blackford

Even at its most intense, Blackford’s poetry never stops being warm, accessible and humorous. The Alpaca Cantos is beautifully presented with thick paper, careful layouts, with lovely drawings by artist Gwynneth Jones. These are poems that are both complex and simple, tragic and yet infused with delight and an almost impish joy in the day-to-day.

A review of Flourish by Dora Malech

As in Bishop’s works, Malech seems to present some of her poems in utter simplicity, then surprises with the unexpected turn at the end. “Dear Reader” (p. 67) does this quite successfully. Some of the poems appear enigmatic, but when studied, reveal a coherent whimsy. “Come Again” (p.55) plays on the comedy of typos and “Euscorpius italicus” ( p.37) on the fear of spiders, both done with commendable control.