In a vignette-based narrative that takes us from Daniel’s childhood through early adulthood, we find moments of surrealism amid vivid violence within a delicate, rhythmic language that supports the wonder and naivety of the narrator. Daniel’s first circle is drawn by his father, a literal circle in the soil his father says is “all the room you have now” and forms a boundary on his grief after his mother leaves the family.
A review of The Pit by Tara Borin
The Pit is vulnerable. Every character is one that you might know and put a face to. None are foreign or fantastical and in that way, friendly yet tragic in the same breath, quickly urging sympathy from the reader. Just as a pub is a collector of escapists and thrill-seekers, it is routinely a home for the broken and suffering. The manner in which Borin curates a motif of safety is endearing and compliments the beauty of The Pit.
A review of Walking the Labyrinth by Pamela Wax
An ordained rabbi, Pamela Wax’s poems are steeped in ethical concerns and Jewish tradition and practice. “I keep getting books about character,” “Not Moses,” “Bad Girl” and others address her sense of coming up short, failing in her duties as a sister and a daughter, as a human being. One’s responses to grief are complex and often contradictory.
An Interview with Rudy Ruiz
The author of Valley of Shadows talks about his new book and its relation to his previous book, the historical events that inspired the book his protagonists, the role of the U.S.-Mexico border in Valley of Shadows, his advocacy, magic realism, his themes, and much more.
A review of Pentimento by Daniel Ionita
There are angels, demons, Death with a capital D, a plot against Santa Claus, and potato salad, all playing off one another with exuberance. Though occasionally confronting, Pentimento is a charming, inventive, smart and slightly audacious collection that will delight all but the most squeamish readers.
A review of Stalker Stalked by Lee Matthew Goldberg
Stalker Stalked nails the chaos and uber-dramaticism of reality television with Lexi’s self-destructive nature making the implosion of her life equally satisfying and tragic. The plummeting decay of order aligns well with the reality television aesthetic, compounded by explicit and raunchy scenes, the novel certainly appeals to lovers of messy dramas, chick-flics, and reality shows.
A review of Selected Poems: The Director’s Cut by John Yamrus
The poems in this book are courageous in that they defy expectations of what some may consider “poetic material.” Yamrus forgoes lyricism by shooting straight (and sometimes being crass). He eschews punctuation and literary device. He compresses everything, as in the two-word poem “nothing / helps,” or, a poem half that length: “endure.” That’s right.
A review of In The Roar of the Machine by Zheng Xiaoqiong
The poet skilfully describes how youth and dreams are lost quickly as the result of hard work, becoming part of the machine: “I see myself resembling this cast iron.” Iron is in her hands, in her mind, in her verses, iron controls her life. Anonymity, monotony, boredom, pain and exploitation are observed with poetic care; politics into poetry.
Reframing History with ‘Redeclarations’ by Halim Madi
Halim Madi, a Santa Barbara–based digital poet, highlights this ironic relationship in his new digital art project, Redeclarations, an interactive endeavor that invites viewers to write their own declarations by selecting words and phrases from the original Declaration of Independence. Madi says he opted to use parts of the original document rather than rewrite the whole thing from scratch in an attempt to “reuse the soil from which we grew as a nation to reinvent the nation itself.”
A review of Beachcomber by Colleen Keating
The poet has the ability to immerse herself in nature, her senses capture the beauty that surround us whether at the beach, in a forest or in her own garden. For example, a little rock falls at her feet, she picks it up and she reads its secrets, its past, she hears its voice and she treasures it. Keating has the skill to draw pictures with words bringing to the reader very vivid descriptions.