The book contains lists, poems in two different styles, one style is always in italic and written in a way like if the person writing the piece doesn’t have full command of the English language, the others are normal poems, some of the poems as well as the narrated pieces include some words in Chinese characters. Furthermore, the reader will encounter short dialogues, archival fragments, old policies, lists, eight pages (eight is considered a lucky number in Chinese culture) containing the pictures of a Chinese doll and some political comments.
Sun-Showered Burial: A Review of Memorial With Liminal Space by Mitchell Untchs
A Memorial With Liminal Space speaks eloquently and intimately-one of those hallowed late-night conversations with someone you’ve known for a very long time. Reading this book helped me feel more connected to myself, the larger world, and loved ones that have passed, and that is a beautiful feeling I am deeply grateful for.
A review of Ravage & Son by Jerome Charyn
The grim urban setting of Ravage & Son, its violence, cast of criminals from all classes, and atmosphere of pessimism and disillusionment are characteristics of the noir genre. In Charyn’s story, we see a promising youth who was given the chance to make something of himself in the world’s terms, yet chooses a different course for several reasons and eventually is defeated by the milieu he sought to clean up.
An interview with Meredith Stricker
Meredith Stricker is an artist and poet working in cross-genre media. She is the author of six poetry collections and recipient of the National Poetry Series Award. Her most recent book, Rewild, won the Dorset prize from Tupelo Press. She co-directs visual poetry studio, a collaborative focusing on architecture in Big Sur and projects to bring together artists, writers, musicians, and experimental forms. In this candid interview she speaks to Yasmine Guiga about her new book Rewild and the challenges she faced, reader expectations, inspirations, the search for aesthetic wholeness, TS Eliot, and lots more.
A review of Tuesday’s Child Is Full by PS Cottier
Cottier hides treasures in every poems. Some of the treasures are not easily accessible because the poet very cleverly has hidden them in abstract pictures painted with words. Consequently, some of the poems may need more than one reading to get to their meaning. Others, like a Rorschach test, open a door in your mind and allows you to search for your own meaning which can be an excellent stimulant for the imagination.
A review of Clean by Scott-Patrick Mitchell
The work is immediately hard-hitting, engaging with both the personal and the political in a way that feels as though it is removing layers from skin, revealing a deep vulnerability that is universal. The inherent pull between the many physical, philosophical and psychological impacts of addiction, attraction, joy and loss is rendered with such tenderness that the reader can’t help but feel as though Mitchell is writing about all of us, about the perilous and flawed nature of being human.
An interview with Adam Sass
Adam Sass spills the tea on his inspiration for writing, the relationship between his different books, his characterised settings, his themes, characters, plots, the influence of Wes Craven, literary breadcrumbs, his next YA, and lots more.
A review of Your Lonely Nights Are Over by Adam Sass
Like any good slasher, almost every interaction is ripe with suspicion. A solo car ride with the potential killer? A real nail biter. Texting a hookup that’s already inside your house, hiding in a closet? Talk about a lethal metaphor. A drive-in located in the middle of nowhere that the killer(s) certainly have tickets to? Sounds like a fun Friday night.
A review of The Badass Brontës by Jane Satterfield
Jane Satterfield vividly brings the Brontë sisters to life, showing them as quietly iconoclastic women in early nineteenth century England, at the dawn of the Industrial Revolution. While providing background in “dramatis personae” sketches and an historical outline at the end of the book, as well as copious illuminating epigraphs to many of the poems.
A review of Demon Copperhead by Barbara Kingsolver
Many novelists have retold classics from bygone eras. One thinks of Jane Smiley’s retelling of King Lear in A Thousand Acres and Curtis Sittenfeld transforming Pride and Prejudice into Eligible. The fun in reading adaptations lies in seeing how the characters turn out in a new setting, and whether or not the author retains the theme of the original classic.