A review of God of Speed by Luke Davies

Though Davies’ Hughes isn’t exactly a likable character, the intimacy is so striking and the intensity of the portrait so great that Hughes becomes someone entirely familiar. Not so much the grand aviator with all the superlatives of his status: richest, fastest, most inventive, but instead, a man like any other, pursued by demons and running hard to find a way to live through them.

A review of Girls Like Us: Carole King, Joni Mitchell and Carly Simon and the journey of a generation by Sheila Weller

As a longtime admirer of all three of these artists, I was rivetted by Weller’s narrative and impressed by her analysis of their lives and legacies. But this is not just a book strictly for the fans of the music – anyone who is interested in womens’ role in society and the period that saw the rise of feminism and the ‘gender wars’ will find much to mull over here.

A review of The New Angel by Ali Alizadeh

Bahram’s is the voice of the newly-arrived immigrant, misunderstood and always alien, at home neither in the country he has come from nor the one he now inhabits. Such people are becoming increasingly common in our globalised society, and their outsider voices need to be heard and heeded if the notion of a ‘global village’ is to ever become a reality.

A review of The OK Team by Nick Place

The varying narrative, slightly otherworldly Gotham city setting, and the overall positive messages makes this a good choice for young boys – particularly those who are struggling to enjoy the world of books. That it also involves a fair amount of wish fulfillment also adds to this books charm for children.

Revelations: Notes on Music, Criticism, and Society; on Nelson George’s book Where Did Our Love Go? and Stanley Crouch’s book Considering Genius

George, someone whose work I used to read in Manhattan’s Village Voice, documents the beautiful and brutal reality that was Motown, a company and a creative period, the 1960s through the 1970s, that I think of as a highlight of African-American and American history, as important as (if not more important than) the Harlem Renaissance, giving us sounds and substance, giving us ideas, images, and individuals, of great value.

A review of Tumbuktu by Paul Auster

The overriding desire for meaning beyond this short life is one which infuses the book, but Auster never allows a human narrative voice to interfere with Mr Bones’ perspective. Clever, funny, lighthearted and serious all at the same time, this is a stylistic departure for Paul Auster which nonetheless makes full use of his gifts.