Send Yourself Roses is not at all like these recent memoirs, but more like the kind of celebrity hagiography produced as a movie tie-in or short-term career booster. This represents a lost opportunity for Turner, one of whose purposes in releasing this memoir seems to be to garner more of the respect she has worked so hard for.
A review of Deceptively Delicious by Jessica Seinfeld
But even the fact that this book is all about making your family healthier without a hint of coercion isn’t the reason why I like it. I like it because the recipes are sensational. What Seinfeld doesn’t tell you is that the vegetables actually add significant subtle flavour, depth, and richness to your food. The chocolate cupcakes with avocado and cauliflower were the best tasting cupcakes I’ve ever made.
A review of My One Hundred Best Games by Alexey Dreev
To come to a reckoning: My One Hundred Best Games is a splendid collection and a good summation of Alexey Dreev’s chess achievements to date. The games are unfailingly interesting, often aesthetically pleasing and as a showcase of modern chess they can hardly be bettered.
A review of Beginner’s Greek by James Collins
The problem is that there’s not much substance to this novel. If all you want is entertainment, then this will provide it. It is competently written, but uneven; character development is in need of work. And there is too much manipulation of the reader.
A review of Clare Bowditch and The Feeding Set – The Moon Looked On
The Moon Looked On shows Bowditch’s continued growth as a musician and vocalist, showcasing her superb songwriting skills, and the terrific collaboration she’s developed with The Feeding Set. She continues to grow in both the innovative quality of her work, and in the risks she’s prepared to take artistically.
A review of The ABC Checklist for New Writers by by Lorraine Mace and Maureen Vincent-Northam
Mace and Vincent-Northam are both experienced freelancers, and provide readers with the benefit of their experience. The overall result will be a shorter learning curve and fewer rejections. Topics covered include such things that all new writers need to know, like writing a bio, how to research the market, how to format a children’s picture book, writing a cover letter, avoiding common grammatical problems, invoicing, and a whole lot more.
Against the Fable of One True World: Herbie Hancock’s River: The Joni Letters
Sometimes after walking in Manhattan late at night, a bit melancholy, though enjoying the faces, the buildings, the lights, I would stroll into a downtown music store and put on head phones at one of the listening stations and hear some of the songs on pianist Herbie Hancock’s 2005 album Possibilities: I liked the songs on it featuring Christina Aguilera (“A Song for You”), Annie Lennox (“Hush, Hush, Hush”), and Jonny Lang with Joss Stone (“When Love Comes to Town”). Herbie Hancock, who began playing the piano when he was seven, has long found ways of combining his own musical sophistication with popular taste.
A Musical Statement of Significance: Lucinda Williams, West
West is a significant musical statement; and it is more impressive for arriving at its significance by unusual directions, such as in the songs “Mama You Sweet” and “Unsuffer Me” and “What If” and “Wrap My Head Around That.”
Reclaiming Tradition: Carolina Chocolate Drops’ Dona Got A Ramblin’ Mind and Colored Aristocracy
Although it has been said that early black string bands influenced country music performers such as the Carter Family and Hank Williams, there are still few available historical recordings of black string band music—possibly as few as fifty pre-second world war recordings; recordings by respected performers such as the Mississippi Sheiks, who recorded for the Okeh label (a history documented by writers Charles K. Wolfe and David C. Morton and sometimes presented by institutions such as PBS)—and thus, the youthful Carolina Chocolate Drops are performing a service as much as producing quite distinctive entertainment.
Rahim Alhaj, When the Soul is Settled: Music of Iraq
Music heard often brings to mind other music—it is the echo of the human, the similarity of imaginative play in different parts of the globe; and some of the rhythms Rahim Alhaj with Lebanese percussionist Souhail Kaspar perform recall Spanish music to me (“Taqsim Maqam Bayyat-Husayni”). The music has the rigor of an old tradition, and the energy of a particular musician and moment (“Taqsim Maqam Hijaz”), with some of it sounding like the forming and explosion of bubbles.