A review of Restless Dolly Maunder by Kate Grenville

Restless Dolly Maunder is an easy and fast-paced read. It may be labelled as fiction, and certainly Grenville uses all of her narrative capabilities to create such a compelling character, but the book is as much a story of Australia’s history as it is the tale of a strong, intelligent and thwarted woman whose struggles helped transform the lives of generations to follow.

An Interview with Kathryn K. Abdul-Baki

The author of Dancing Into the Light: An Arab-American Girlhood in the Middle East talks about her new book, what it was like growing up with parents who had two very different cultural backgrounds and other childhood memories, dispelling stereotypes, grief and families, dancing, and lots more.

Rest, Unrest, and Redefining Humanity: A review of A Northern Spring by Matt Mauch

In braiding his ruminative nonfiction with his soaring lyrical poetry, Mauch paints his 2020 in beautiful lines, hard truths, and the dual mundanity and terror of being stranded internationally as the world shut down. In writing from two Northern settings, Mauch explores what a time of rest and unrest can reveal about the human experience.

A review of The Best Minds by Jonathan Rosen

Jonathan Rosen became best friends with Michael Lauder at age ten. His outstanding new book, The Best Minds, offers an assiduously researched and compelling portrait of the man. It also raises questions about the responsibilities of friendship, and the human capacity for denial. Twenty-five years have elapsed since Lauder’s criminal unravelling, a span that has given Rosen space and time not only to research the people and ideas of this story, but to sift through his own complex feelings about Lauder and the path his life took. 

A review of Diving At The Lip of The Water by Karen Poppy

Karen Poppy doesn’t spare the reader of discomfort and grimaces when exploring her identity. She courageously uncovers the secrets of the women in her family, like one who skins the animals in the collection. However, in the last two parts, the poet shows what the healing process looks like and presents us a strong voice protected by the elegance of language, and those extraordinary Voltas at the end of poems.

A review of The Shadow Box by Jean Kent

The poetry is often epigraphed by a snippet from a letter, either from George to Jean or Jean to George, charged by its setting as the characters move from Australia through Gallipoli, Egypt, Paris, and Palestine. The result is a tender ekphrastic that utilises these artefacts: a wedding dress, a hat, diary entries, letters, or a pressed flower to bring the past into the present, connecting the generations.

A review of Breakfast in Fur by Jessica Murray

This isn’t a book that makes decisions for the reader. Murray’s knowledge and reference to other forms of art, schools, and theories is broad enough that the reader can find their own stolen moments of either appreciation or critique. But there are consequences for not having an “intermediary structure” (Murray 51) as simple as a porch that potentially shelters a wild cat.

A review of Called To Coddiwomple by Colleen Moyne

The narrative pieces are well defined and give an insight into human nature, which express an attitude towards life, a way of being in the world. Reading Called to Coddiwomple is an immersive experience which impacts on perception and empathy. The reader feels embraced by the author’s experiences, intimate as well as excited by the new life she embarks on.

A review of Places We Left Behind by Jennifer Lang

The basic plot of Places We Left Behind can be read and understood quickly, which Lang acknowledges with her handy timeline at the beginning. However, more thoughtful readings and re-readings allow for an appreciation of the full depth and grace of her journey and what it conveys about the meaning of Jewish practice and human relationships in general.