A review of The Unreal City by Mike Lala

There is a lot of muscular movement in Lala’s poems. The poet’s interest (almost what seems to be an obsession) in labor and work defined through movement can be read in My Receipt, a poem about him being a spectator in a theater: “… his knees, his body at work, / part/ of a sum / (a company): men together — their bodies / in labor together, / for whom the audience puts their hands together”.

A review of The Lady in The Bottle by Rozanna Lilley

Lilley is a brilliant writer. She creates pictures with words. Each episode is a short gem with sprinkles of captivating humour. Page by page we enter Jeannie’s life, we read about her travelling with the astronaut in a space capsule, a yacht or a car, we read about her trying to constantly please her master, and forever hoping to get married to him.

A review of CUT by Samuel Lucas Allen

CUT is a film that is, quite frankly, unforgettable. As a coming-of-age story, Daniel’s transition is one that well, cuts deeply while allowing the visuals and music to do most of the talking.  The production is excellent, and the music, cinematography and consistently top notch acting makes for an emotive and deeply moving film which with wide appeal.

A review of Thine by Kate Partridge

Who we are and what will happen in the future is a notion that is always evolving in her work. She explores what it is to be an individual existing among so many people and the vastness and inspiration of nature and art. And Kate Partridge questions everything, especially decisions and actions.

A review of Dancing Dots by Brenda Eldridge

There are poems in this collection that describes events which many of us experience like waking at 3.00 am and being unable to go back to sleep, or being super tired after looking after children or admiring a fancy car that we never could afford. Empathy, love, compassion and wishes are also themes in this collection.