That so many men (and some women) live lives of servitude and never stop to think about who they are or what they might want to really achieve in the short space that we have is a modern tragedy. Marsh gently and humorously makes this obvious, and in the changes he’s created in his own life, sets a trend that others can easily follow.
The Adventures of Tintin: Young Readers Edition by Hergé, with extra material by Stuart Tett
For new audiences, especially the younger set, the convoluted plots can often be a little tricky, and Stuart Tett has created a new series that is faithful to the original Hergé version but that adds in lots of material to help situate the stories.
The Re-(w)Rite of Spring, a jazz work by the Mobtown Modern Big Band, interpreting Stravinsky’s Rite of Spring, arranged and directed by Darryl Brenzel
His Rite of Spring remains central; and its forceful jazz interpretation, arranged by Darryl Brenzel, and performed in Baltimore in 2010 at the Metro Gallery by the Mobtown Modern Big Band, is controlled, offering a shimmery, sizzling sound, with varied pacing that sustains attention.
Hallucination and Healing: The Kiowa Peyote Meeting, Songs and Narratives, featuring Winston Catt, Everett Cozad, Ray and Blossom Coza, George Saloe, and Henry Teimausaddle
There is a droning kind of chanting, earthy, intimate, intense. The songs are dedicated to particular times—such as morning and midnight, with prayers for “everybody.” The chants with both male and female voices have a greater appeal than those with only male voices—there is more complexity, and clearly more community.
Eleven Short Stories, music inspired by film, composed by experimental Turkish composer Erdem Helvacioglu
On his album Eleven Short Stories, he has transformed his piano into the most flexible of instruments, augmenting it with odd implements and making it sing with new tones, telling vivid tales. The pianist, guitarist, and composer Erdem Helvacioglu, informed by classical, folk, and popular music, has wanted to bring together emotion and experiment.
Cornelius Duffalo’s Journaling, featuring the work of John King, Joan Jeanrenaud, Huang Ruo, Vijay Iyer, John Luther Adams, and Kenji Bunch
On Cornelius Duffalo’s Journaling, short, repeating patterns begin to expand, double, triple, quadruple in Vijay Iyer’s “Playlist One (Resonance)” then become simple again; and there is plucking, wailing, then great fast rhythm. In his album notes, Duffalo says the Iyer piece “alludes to the tradition of virtuoso variations, complete with fiendishly difficult passages of harmonics, double stops and left-hand pizzicato, while also creating a unique contemporary sound world.”
Abstract, Beat-driven, Cool: Master of My Make-Believe by Santigold, featuring singer-songwriter Santi White
Santi White, ambitious and determined, is a grown-up, a married woman, her husband being snowboarder-musician Trevor Andrew, but she relishes her youthful impulses, perceptible in her album The Master of My Make–Believe, which features an album jacket portrait by painter Kehinde Wiley and printed lyrics too small to read.
Civility, Lyricism, Passion: Barchords by musical project Bahamas, featuring Afie Jurvanen
Drawing on an old troubadour style and also western folk music and the glamour of modern individuality, the singer songwriter is able to maintain an appeal that seems timeless. Afie Jurvanen, for Bahamas, writes about—what else?— existence and love on the album Barchords, called a “gorgeous, full-bodied recording” by the Los Angeles Times (February 7,2012).
A review of On the Road to Infinity by Mark Logie
The thirteen poems in this chapbook cover a range of themes, working between personal turmoil and political issues. The book works between a number of dichotomies: sickness and health, sanity and insanity, youth and age, city and wilderness.
The First of All My Dreams by Ellen Mandel and Todd Almond
Despite the depth in the lyrics, the pieces remain accessible to the listener – immediately enjoyable and catchy even, growing more so with each listen. The is a deft lightness in the work, from the soft reminiscence of Yeats’ “The Meditation of the Old Fisherman” to the light Broadway style trills on “Don’t Ask Why.”