This is an excellent tournament book, which gives a genuine flavour of the chess milieu of the time. All the games are annotated, the vast majority by Robert Sherwood, though some by Alekhine, Nimzowitsch and other players and contemporary commentators.
A review of Autoethnographic by Michael Brennan
Autoethnographic is a difficult read. Though the poems are deceptively prosaic, they don’t yield their messages easily, and are unsettlingly dark, disjointed, and at times, so self-referential that they feel like a chaotic nightmare. But once you let go of the desire for linearity and meaning and instead open up to the linguistic subtleties, to new modes of perception, and to the revelations which are decidedly non-linear, the work becomes quite special.
A review of Fractured Legacy by Charles B Neff
I found characters to be well fleshed, credible, some are not completely likeable, on the other hand. that is what we find in life in general. Situations and locales are dynamic, discourse is realistic, convincing and set down in satisfactory manner. Movement of the narrative grips the reader at the inception, clenches reader attentiveness with a powerful grasp from opening lines to the last paragraphs and leaves the reader with a sentiment of a saga full of twists and turns.
A review of One Evening in Paris by Nicolas Barreau
The discussion of film elevates the novel above and beyond category romance. Alain’s Uncle Bernard liked films that “had an idea… moved people…[and] gave them a dream to take with them” – all elements necessary for a good story, whether on film or in print. Through Alain, Nicolas Barreau lists the “golden rules” of good film comedy: “a chase is better than a conversation”; “a bedroom is better than a living room”, and “an arrival is better than a departure.” Barreau uses these storytelling principles to good effect in One Evening in Paris.
A review of The Copper braid of Shannon O’Shea by Laura Esckelson
Each day we write the new rhyme words in our journals and practice saying them. By book’s end we have added many rhyming words to our journals and have enjoyed a really fun tale about a little Irish girl. During the period we work with our globe and maps to help us understand where to find Ireland in the world, we discuss leprechauns and societal tales and the fun of childhood. I find The Copper Braid of Shannon O’Shea to be a wonderful teaching aid, a lovely and fun narrative.
Interview with John M Cummings
The author of Don’t Forget Me, Bro talks about his novel, the first book he remembers reading as a child, what he’s reading now, his inner garden, the last thing he googled, and what makes him cringe.
A review of Unlock Your Style by Nikki Parkinson
There are a few things I really like about this book. The first is that Nikki Parkinson targets the advice in this book to real women, and uses women models who are a variety of ages, shapes and sizes. The second is the warm, down-to-earth, non-judgemental tone that is always focused on feeling good over dictates.
A review of Small Blessings by Martha Woodroof
Small Blessings touches on issues like the consquences of adultery, along with alcoholism and drug abuse, but uses them as devices rather than serious themes. At the end of Small Blessings we find Rose crossing her fingers, “hoping against hope that life really might be that simple.” Unfortunately, real life isn’t as simple as it is presented in this feel-good romance.
An interview with Lev Grossman
The author of The Magician’s Land talks about his latest book, about his ‘conversation’ with Lewis and Rowling, about writing genre fiction, about the diverse reader response, major influences, about his literary revolution, on the juxtaposition of tech with magic, on leaving academia, being a twin, and lots more.
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The winner will be drawn on the first of September 2014 from subscribers who enter via the newsletter. Good luck!