Twelve chapters, each devoted to a particular positional element: the open file, strong and weak squares, the passed pawn, good knight versus bad bishop (and vice versa), etc. A few classic examples, naturally, but modern games predominate. Yaroslav Srokovski’s annotations are instructive, not least because they are refreshingly objective for textbooks of this sort.
A review of Mikhail Botvinnik The Life and Games of a World Chess Champion by Andrew Soltis
We learn many things about him that we did not know but might well have guessed. For example, that he did his own ironing and was a demon declutterer. He had no qualms about throwing things away if he hadn’t used them for a period of years, reasoning that he didn’t really need them. ‘He couldn’t abide disorder,’ says his daughter. ‘His home had to be clean and everything in its place.’
A review of The Benko Gambit: Move by Move by Junior Tay
The Benko Gambit gives Black early pressure on the queenside and an initiative that often persists well into the endgame, a practical advantage being that Black’s position is generally easier to play. On the whole, the investment of a pawn represents good value.
A review of 1001 Brilliant Ways to Checkmate by Fred Reinfeld and Bruce Alberston
Fred Reinfeld’s venerable book, consisting of 1001 checkmate puzzles arranged by theme, has been edited and recast into algebraic notation by Bruce Albertson. Themes include the queen sacrifice, discovered check and double check, and pawn promotion; and only the last chapter, a collection of composed problems, seems out of place. What you have got otherwise are positions taken from actual games that are of, at most, a medium level of difficulty.
A review of Mortal Bonds by Michael Sears
It is a satisfying thriller with a diverse range of well-drawn characters, not least the Kid, Stafford’s autistic son. There are surprises right up to the end, the prose crisp and effective throughout. You learn something about finance along the way. And altogether it feels fresh and cliche-free.
An interview with Jennifer N Martin
A review of San Remo 1930 International Chess Tournament by Robert Sherwood
This is an excellent tournament book, which gives a genuine flavour of the chess milieu of the time. All the games are annotated, the vast majority by Robert Sherwood, though some by Alekhine, Nimzowitsch and other players and contemporary commentators.
A review of Autoethnographic by Michael Brennan
Autoethnographic is a difficult read. Though the poems are deceptively prosaic, they don’t yield their messages easily, and are unsettlingly dark, disjointed, and at times, so self-referential that they feel like a chaotic nightmare. But once you let go of the desire for linearity and meaning and instead open up to the linguistic subtleties, to new modes of perception, and to the revelations which are decidedly non-linear, the work becomes quite special.
A review of Fractured Legacy by Charles B Neff
I found characters to be well fleshed, credible, some are not completely likeable, on the other hand. that is what we find in life in general. Situations and locales are dynamic, discourse is realistic, convincing and set down in satisfactory manner. Movement of the narrative grips the reader at the inception, clenches reader attentiveness with a powerful grasp from opening lines to the last paragraphs and leaves the reader with a sentiment of a saga full of twists and turns.
A review of One Evening in Paris by Nicolas Barreau
The discussion of film elevates the novel above and beyond category romance. Alain’s Uncle Bernard liked films that “had an idea… moved people…[and] gave them a dream to take with them” – all elements necessary for a good story, whether on film or in print. Through Alain, Nicolas Barreau lists the “golden rules” of good film comedy: “a chase is better than a conversation”; “a bedroom is better than a living room”, and “an arrival is better than a departure.” Barreau uses these storytelling principles to good effect in One Evening in Paris.