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John Amen’s Strange Theater lives up to its name in that it is a strange book. Most of the poems are written to people we do not know. It appears that they are friends or acquaintances of the author but we are not sure about this. It also appears that he haphazardly throws words together to make sentences that do not make sense but somehow are able to tell a story. In this way, Amen reminds me of Federico Garcia Lorca.
A review of What’s Yours is Mine by Tom Slee
In a world where the so-called sharing economy seems to be the wave of the future, Slee’s look at the downside is much needed. He might have written more about the rise of the sharing economy from widespread unemployment, underemployment, and the weakening of the social safety net; however, his clear style, knowledge of his subject, and comprehensive bibliography make What’s Yours is Mine a must-read.
A review of In My Skin and The Romantic by Kate Holden
Reading Kate Holden’s In My Skin and The Romantic together is a little unsettling. It almost feels as though a third part in the trilogy is missing: the story where the protagonist finds peace. The character arc from one book to another is quite powerful, taking Holden through a series of major changes – some terrifying and some quite wonderful Both books are confronting in very different ways.
A review of The Fugue by Gint Aras
The Fugue is thus a novel of paradoxes. Inspired by a notion of the harmonious and contrapuntal progression of musical voices through time, it is equally a story about being stuck in someone else’s nightmare. An epic saga of family lives and losses, it is also a chamber piece with surprisingly few characters. Located squarely in Cicero, its moral implications ripple outwards to cover the entire world. I could not help remembering that faire fugue, in French, means to run away.
A review of Central Station by Lavie Tidhar
With this new novel, the cosmopolitan Tidhar turns away from the noir that drove his award-winning Osama, The Violent Century, and A Man Lies Dreaming. Those who appreciated the Dashiell Hammett/Raymond Chandler scrubbed into a pulpy Po-Mo alternative reality resembling a lighthearted Phillip K. Dick will still find that in Central Station through Achimwene—a bookseller in an age when books are antiquated commodities—whose life “had been a Romance, perhaps, of sorts. But now it became a Mystery” when he meets and falls in love with the data/memory vampire (alternately called “strigoi” and “shambleau”) Carmel.
Rebecca Starford on Bad Behaviour
In this special Newcastle Writers Festival episode, Rebecca Starford, the author of Bad Behaviour, reads from and talks about her memoir and how it came about, her “characters” and why she needed to revisit them, about the complex and fuzzy…
A review of Go Set a Watchman by Harper Lee
Watchman is a coming-of-age story about 26-year-old Jean Louise who is racially tolerant and non-apologetic towards Maycomb’s prevalent bigotry. Upon discovering that her closest friends and family have adopted the very social standards that Atticus fought against in Mockingbird, Jean Louise must find her own moral code and identity. “Prejudice, a dirty word, and faith, a clean one, have something in common: they both begin where reason ends.”
A review of That Fry Boy by James Fry
A review of We’re Going to Run this City by Stefan Epp-Koop
“There is something about the audacity, length and size of the General Strike”, writes author Stefan Epp-Koop, “that continues to capture public and scholarly attentions.” The Strike, he says, was not the end of radical politics in Winnipeg, but was “near the beginning.” While focusing on one city’s municipal politics, his work is relevant to the larger history of the left in the 20th century
A review of Small Pig by Arnold Lobel
Jam-packed with easy-to-read vocabulary and child pleasing, characteristic Lobel illustrations Small Pig has proven to be a long time, much loved, favorite in my K-1 classrooms. Ludicrousness, exhilarating action, and short, simple, child friendly sentences and low key illustrations are a delight for emergent readers, as well as those who enjoy reading Lobel’s books to them.