Warlick’s bio mentions her work as editor of a food magazine, and her lush, detailed style is well suited for this type of writing. Reading one of her novels is like biting into something rich and decadent—it is something to savor. Her writing style is a sensory as well as literary experience—she brings the reader fully into the smallest moments of a scene.
A review of Something is Rotten in Fettig by Jere Krakow
Characters are well developed, many are despicable and familiar, taking their cue from so-called experts that rant in the public view on television. This fast paced work is filled with good writing, presented in highly readable prose.
A review of The Decision by Britta Bohler
Britta Bohler has written a wonderful novel, an immersive and psychologically convincing account of Mann’s agony of decision. Smoothly translated by Jeannette K. Ringold, it is well researched and chock-full of sharp insights into one of the great writers of the twentieth century.
A review of Deliciously Ella Everyday by Ella Woodward
Just reading the book is inspiring – with lots of tips for improving the diet and just having more fun with food, and every recipe I’ve tried has been a winner: easy, fast, using ingredients that are readily available (no obscure superfoods here) and reasonably priced.
A review of Dark Avenues by Ivan Bunin
If you’re looking for a point of comparison, I’d say Bunin as a writer is similar to Chekhov, that’s his model. Though he is darker, more risqué and also narrower in his sympathies. There are some people, you feel, that Bunin is just not interested in – something you never feel with Chekhov. There are some people, you feel, that Bunin is just not interested in – something you never feel with Chekhov. Bunin is a little old-fashioned or out of touch too, you sense. Set in his ways. You read a story written in the ‘40s – and so contemporaneous with Hemingway, Waugh and Greene – and the people are behaving like turn of the century Russian nobility.
A review of West by Julia Franck
West is part espionage thriller, part social realism (circa late ‘70s, early ‘80s) and probably partly autobiographical as well: as a young girl, Julia Franck crossed from East to West Germany with her family. The milieu of a reception centre in West Berlin has a banal horror to it, something akin to the quality of a (childhood) nightmare. Families share rooms with strangers and sleep in bunk beds.
An interview with Dawn Anahid Mackeen
The author of The Hundred-Year Walk: An Armenian Odyssey talks about what compelled her to write her book, about her grandfather and the mandate his journals gave her, about the dangers and surprises of writing the book, about Raqqa, writing about genocide, about her own involvement and heritage, about her research and visiting Turkey, and lots more.
A review of Crochet Stitch Guide by Jean Leinhauser & Mary Ann Frits
Each of simple-to-follow, first-rate instructions is presented with a nice clear photograph of each of the various stitches detailed in the book. I particularly like the variety of stitches offered in 7 kinds of stitches including shells, textures, clusters, picots, V stitches, special stitches and miscellaneous.
A review of I Hate the Internet by Jarett Kobek
The vitriol of I hate the internet is the misery of the bourgeoisie, almost all of which “lack eumelanin in the basale strata of their epidermis” (as Kobek repeatedly describes whiteness); I sympathize regardless of my eumelaninlessness. More than being a prolonged expletive flailing absurdly about like a verbal Bernie Dance though, this self-described “bad novel” is a madcap, mad-dog, remonstration of Post-Industrial America.
A review of Bad Behaviour by Rebecca Starford
The writing is beautiful throughout, without ever over-shadowing the plot or narrative flow, which moves forward quickly. Starford remains non-judgmental, even towards those who caused her the greatest pain, including the many adults who clearly failed in their duty of care.