A review of The Dead Man by Nora Gold

The novel will interest other writers because of its narrative features. Ms. Gold avoids murky stream-of-consciousness passages by presenting the story in the third person. Flashbacks are signalled by a shift from present tense to past. A writer-in-residence at the University of Toronto’s Ontario Institute for Studies in Education, and a prize-winning author, Ms. Gold knows her craft.

Rebirth of a Troubadour: At Least for Now by Benjamin Clementine

Benjamin Clementine is to be encouraged. Who knows what else he might do? “The decision is mine ‘cause the vision is mine,” he states in the composition “Adios,” claiming ambition, difficulty, mistakes, and possibility—ending with a ramble about angels who sing, falsetto and bass; and Clementine himself singing, returning to the song’s frantic refrain. “St. Clementine-on-Tea-and-Croissants” may be a fantasy—an interrogation, imagined or real, of an irresponsible parent, a questioning that moves beyond polite manners and social ritual.

Joel Deane on Year of the Wasp

Joel Deane reads from and talks about his new poetry book Year of the Wasp.  Joel discusses a number of the themes and motifs throughout the book and in individual poems, the way the book came together, the power of poetry in getting to the…

Interview with Tiffany McDaniel

The author of The Summer that Melted Everything talks about her latest novel and its inspiration, her characters, on writing sad stories, favourite quote from the book and why, the nature of the devil, her publishing journey, and more.

A review of Year of the Wasp by Joel Deane

Though the narrative presents a fast-paced story of ambulance, medication, confusion and return, we’re in the realm of poetry, which can be dream-like, with a multitude of simultaneous meanings. The poems operate on several levels at once, from the struggles of a failed body and its attempts to come back from the nightmare of motor neurone degradation, to the writer’s daily struggle to make sense of language and the self against an increasingly incomprehensible world.

A review of Beulah’s House of Prayer by Cynthia A Graham

I would categorize this book as historical fiction first and foremost, though it is touted as magical realism. I had this in the back of my mind as I read, but other than Beulah’s mysterious arrival in town and her omnipresence for most of the rest of the book, the “magical realism” elements weren’t obvious—until the end. This is where Graham’s gift of storytelling shines through