Cherry Blossoms Outside the Madhouse: A review of Splinter of the Moon by Wayne Russell

Throughout, and within the poet, there is the ideal and the real.  Often the real falls short, but sometimes as in “Room,” “That Defining Moment,” and “That Poem for Her” the real is on an equal plane with the ideal. While there are dream images in poems, there is also reality, the reality of the poet being honest with himself and his readers.

A review of Days of Grace and Silence by Ann E. Wallace

Days of Grace And Silence, Ann E. Wallace’s profoundly moving and necessary poetry collection on living through Long Covid, makes us remember the things we may want to forget. And how important it is not to forget, as she writes, I fight to remember the story/ of me. Even though each of our stories are different, Wallace’s poems shed light on our own.

A review of earthwork by Jill Khoury

horse is a metaphor. It represents inner self, yearning for movement, kindness, courage, grace, leadership. There has to be trust and respect between the master and the friendly beast, a delicate line representing boundaries. It is a mirror that reflects the environment and also treatment of the master towards one’s horse. There is mystery in that amazing hard-earned trust.

On Characterization and Place in Poetry: A conversation between Tennison Black and Tiffany Troy

Tennison S. Black is the author of Survival Strategies (UGA Press, 2023), which won the National Poetry Series. Tiffany Troy is author of Dominus (BlazeVOX [books]) and co-translator of Santiago Acosta’s The Coming Desert /El próximo desierto (forthcoming, Alliteration Publishing House). In this warm, rich conversation, the two poets talk about their latest books, journey, history, characterization, voice, legacy, craft and much more.

A review of The Fullness By Omar Musa

There are many collaborations on this album. Chief collaborator, Paperboy, has a wonderful sense of Musa’s linguistic and delivery skills, and the sound takes its cue from poetry/jazz fusion masters like Gil Scott Heron and Amiri Baraka – vocals and instruments working in a synchronicity that feels both polished and improvisational.

A review of Homelight by Lola Haskins

Elegant in their refined, fluent use of words and eloquent in their visions and messages, these are luminous poems. While some poems are nearly haiku-short, others contain many stanzas, yet all resonate with beguiling, stirring words from a poet with a close connection to the natural world and an intense perceptiveness.