A review of Pale Hearts by Emily Eckart

Emily Eckart’s debut short story collection, is unique and outstanding first and foremost for her literary craftswomanship. In “The Beech Tree”, the first story in the collection, she skilfully uses the imagery of trees, fruit and flowers in showing an unhappy girl’s relationship with her grandmother. More than just a detail of setting, the tree symbolizes the love between Grandma and her late husband, which flourished, grew large and endured.

A review of Bulletproof by Wolfgang Carstens

Bulletproof is all about mortality and the poems develop like a verse novel as they attempt to come to grips with the inevitable that waits for us all. Despite the morbidity, the poems are never maudlin. In fact, they’re almost cheery, in a grim black sort of way, effectively giving the middle finger to death. How very Lemmy, though he wasn’t immortal after all.

A review of The World of Yesterday by Stefan Zweig

For much of the book, Zweig brings all his formidable talents as a writer to evoke the Europe which he had lost. There is a fierce intelligence, a passionate humanity, a reverence for art at play here. He is in a sense a revenant, for his first readers no less than for us too, in that he embodies that lost Europe. We are given vivid, indelible portraits of Rilke, Rodin, Freud, Herzl, Hoffmanstahl, Rathenau, Joyce, Richard Strauss… These are some of those whom Zweig met and knew, sometimes worked and collaborated with.

A review of The Writers Room by Charlotte Wood

Most of the writers interviewed came across as incredibly generous, surprisingly humble, and warm and accessible. Wood allowed the writers to approve their interviews before they went to print, and the resulting transcripts are beautifully readable, smooth and lucid, without losing any of the candid nature of the conversations, or the intimacy. I felt, above all, that the information provided in these interviews was a tremendous act of generosity – not just in terms of authors sharing their best tricks, their struggles and their visions, but also because of the way these discussions draw the reader almost directly into the writing process.

A review of Ishmael’s Oud by Mark Rafidi

Mark Rafidi has tiled every page with a distinct selection of orientation and filled it with spicy metaphors. Sometimes he choses to focus on the father and son, and then flashbacks’, yes-unexpected flashbacks into Ishmael’s past collectively snap each jigsaw piece back in place. With every phrase, sentence and paragraph carefully trimmed and mitered an intriguing story emerges that flows into a family saga of blood and bone.

A review of How to get Great Book Reviews Frugally and Ethically by Carolyn Howard-Johnson

Frugality is Howard-Johnson’s stock-in-trade, and since none of her suggestions involve a large outlay, I’d say that picking up a copy of this book is about the most frugal and valuable thing a new author can do in order to generate inexpensive and highly credible publicity. The book is easy to read, and rich with Howard-Johnson’s own considerable experience. Above all, I think the point that she makes about treating the acquiring of reviews, not as an ancillary activity, but an integral part of the promotional campaign and one that cannot be skimped on, is key.

A review of Daintree by Annie Seaton

It’s obvious that Annie Seaton has put great efforts into researching this story and she is well at home with this genre. The characters throughout are all well honed, coming across as credible, and the immaculately portrayed places fully loaded with poisonous snakes, aggressive cassowaries, amusing characters, exotic parrots, random crocodiles, and a selection of assorted frogs. The writing reveals a majestic and ancient rainforest.

A review of Little Nothing by Marisa Silver

With these recurring themes and patterns of place, Silver establishes an internal logic to a book that otherwise often appears random and almost too wondrous. But because of her skill with both description and with the larger structure of the work itself, Silver is able to craft a coherent narrative that works both as a fairytale and a question. Little Nothing leaves a reader both entertained and puzzled; like a work of art should,