Throughout Writing True Stories Miller uses the perfect tone – clear and simple but never patronising or dumbed-down. The book always makes the assumption that everyone is the best expert on their own story and we are all beginners when facing the blank page.
An Interview with Jolene Gutierrez
Now fifty—looks 30—Gutiérrez feels like she’s just hitting her stride as an author. I had the chance to sit down in her inviting library, surrounded by books and stained glass, to talk about writing, kids, libraries, and the power and joy of books.
A review of The Girl From Moscow by Julia Levitina
Levitina draws on her own experiences growing up in Moscow in the 1980s and the book is rich with verisimilitude, following the trajectory of Ella as her dreams of playing the role of Natasha Rostova from Tolstoy’s War and Peace dissolve into fear and a desperation to leave Moscow to escape the KGB and protect her unborn child.
A review of The Djin Hunters by Nadia Niaz
Nature makes her presence felt in many pages, particularly birds. There is a beautiful poem titled “A Time of Birds” in which we read about the hoopoe with its black-tipped orange crest bobbing against misted grass.
Poetic History-Telling with Humor and Wit: A Review of Legends of Liberty Volume II by Andrew Benson Brown
Benson Brown makes history humorous and interesting, and the retelling of the story is never dry or pedantic. At times it hardly feels like what is normally considered formal poetry—it is very story-like and moves with a brisk and expectant pace.
A review of On Earth We Are Briefly Gorgeous by Ocean Vuong
The story begins as a huge flight of monarch butterflies starts their yearly migration to the south. This is a metaphor for Vuong’s migration to America from Vietnam. When the book reaches its final pages, the flight of the monarch butterflies is resumed, and we can see and hear them beating their wings in unison as they continue their journey, many dropping to their deaths en-route.
The Magnum Opus of a Master Poetess: A Review of What Was and Is: Formal Poetry and Free Verse by Theresa Werba
Theresa is considered one of the living masters of the sonnet (a fact which another reviewer has pointed out). I would point out, in addition, that she joins the likes of Elizabeth Barrett Browning and Edna St. Vincent Millay as one of a handful of women in history to have become expert in this form.
The Garden Against Time: In Search of a Common Paradise by Olivia Laing
Throughout The Garden Against Time, Laing returns to the concepts of gates and walls: while she sees the need for secrecy, or at least privacy, as having been crucial for the formation of what she calls a queer “counter-state” (213) in the face of oppression, she is well aware that borders and barriers to access are tools of oppression as well.
But I Knew: A Conversation with Charles Rammelkamp about See What I Mean?
See What I Mean? is a collection of persona poems and flash pieces that traverse American history, politics, and society through a matter-of-fact diction characteristic of the poetry of witness by Charles Reznikoff. Like Reznikoff’s poetry, Rammelkamp’s poems look at and document the overturning of Roe v. Wade, the COVID-19 pandemic through the lens of race, gender, and class.
The Embodiment of Language in Carolina Hotchandani’s The Book Eaters
Just as her father grapples with the loss of language, the author’s children are in the process of acquiring it. Both experiences raise complex questions about the self: its definition, its boundaries, and how it is shaped by the words we inherit or create.