Taking on a legend is never an easy task, and the Arthurian legend is ages old and feels as if it were set in stone. In her collection of poems giving voice to Arthurian Things, Melissa Ridley Elmes has undertaken to add to the canon of Arthuriana poems that imagine voices, tell tales, and create scenes in which the once-and-future King Arthur and his knights are endowed with humor and humanity.
Category: Poetry Reviews
Pay Attention – Taste – Remember: Review of Diane LeBlanc’s Poetry Collection, The Feast Delayed
In LeBlanc’s poetry, grief enters through the senses, often the sense of taste. The collection is imbued with flavors. While I read, they lingered on my tongue. In some of the poems, the flavors are bitter and reflect the bitterness of loss and injustice. The prose poem “Expired” takes us through the journey of cleaning out the spice cupboard, of searching out the jars past their expiration dates.
A review of Witches, Women and Words by Beatriz Copello
In Beatriz Copello’s powerful and imaginative poetry collection Witches, Women & Words, witches are seers, healers and instigators of change who are capable of restoring balance both to society and to the individual. They embody that intuitive and creative side of ourselves that reveals a deeper truth. The poems are visceral, full of irony and wisdom, taking the reader on a transformative journey that ultimately expresses hope.
A review of Rose Interior by Tracy Ryan
Ryan’s poems in Rose Interior explores inner space as well as the outside world of plants and animals, real or imagined, relationships, experiences and feelings. It is an exquisite and transformative collection.
Mothering machines: Sasha Stiles’ Technelegy
Whispers are words made gentler and Stiles whispers to her readers throughout Technelegy. As importantly, in Promethean fashion, her whispers are giving life to a new existence. Technelegy is the name of Stiles’ AI alter-ego. Built using a text generator called GPT-3, it draws on existing texts, borrows grammatical structures and vocabulary, and creates anew.
A review of Sapphic Touch edited by Suman Lahiry and Heidi Chappelow
Having edited three anthologies and coedited two others I know by experience what an intense and complicated job it is to compile and edit them. The editors have done a fantastic job, I really appreciated that they were ethnically inclusive and selected not only well-known poets but also emergent and new ones.
A review of Body Shell Girl by Rose Hunter
Told in vivid verse form, she recounts her reluctant initiation into the sex industry in Toronto, in response to her stark economic circumstance – always a means to an end – through the collapse of her dreams of film school and a career in filmmaking, her hardening into “the life,” to her resignation that sex work is all her life will ever amount to.
A review of What the River Told Me by Jane Skelton
Family memories, and what is said and not said, flow through the pages in poems with a tight narrative and strong sense of truth. Reading the poems, I felt like I was entering into a temple where images, sounds and thoughts intermingled in an exuberant and exotic dance of words.
A review of April at the Ruins by Lawrence Raab
This poem is so mysterious and so wonderful. Literally, it is made of wonder—some kind of dream quality that awakens spaces inside ourselves. I find myself talking to my grandfather (who I never met) whenever I smell cigarette smoke. This feels to be the material that this poem is made from.
A review of Revenants by Adam Aitken
Anyone who has read Adam Aitken’s wonderful memoir One Hundred Letters from Home will be familiar with Aitken’s particular style that encompasses artefact, the living and the dead, dream and waking, memory and loss. Aitken’s latest collection Revenants, picks up on many of those themes from One Hundred Letters Home, as well as the revisiting the setting and timeframes of Aitken’s memoir: his father travelling in the 1950s, writing letters to his mother from Singapore, or moving through Hong Kong, Malaysia, and Thailand, weaving an absence in and out of the poems.