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In the original folktale, when the young woman learns to love the beast, she is surprised by his transformation. In Orford’s novel, Priya is manipulated by a male being for whom she felt an attraction, so her happy ending is not the conventional one. Instead, it arises naturally from Orford’s novel and is suitable for the 21st century.
Isle of Dogs is full of densely plotted, exciting political intrigue and violence. But Frankel is at best when writing about the intimacies of daily life which persevere in this new world–a meal made with food grown at a garden, a woman’s relief at putting a baby to a full breast, a man picking up his child before going to work.
It would be limiting to call these prose poems or even language poems; they eschew labels. Better to think of them as ventures in language, in reality, in the probable, and the possible. To achieve a pattern, the poet uses a number of devices. “To the horseless carriage I say get a horse.”
But it’s serious, deadly serious. Written with care, and with love for language. At first sight, there seems to be something infernally unruly about Oisín Breen’s poetry, until you spot the fact that the structure is there, recognisable but bloody oneiric, lulling you into a false sense of security and then ripping itself up and changing.
Containing 26 well crafted parts, written in poetic couplets, this body of work exercised us of assonance, allegory, homonyms, rhyme, as well as other distinguished poetic techniques. These techniques charge this body of work and set it ablaze.
Wilson works every word with the precision of a linguist, drawing out the sounds of words, “The tick-tock knock of one hundred clocks” or “three shells cantering takka tak takka tak”. Alliteration, rhythm, rhyme, parataxis – the poems employ a range of techniques that make them aurally beautiful
The unsayable inevitably finds its way into Smog Mother, not just in fantastic dreams, but in the ugliness of life and death, in the rushing precipices we face and try not to. Barger takes the role of poet to the letter when he lets disaster unfold in his work. You can feel that he barely blinks in the face of this darkness, not because he is unfeeling, but to take it all in.
Hidden amongst all the coarseness and slang words there is gentleness and poignancy, as you read page by page you can feel it. There is a voice impregnated in the words of the poems that are like two forces, forces that propel and repel each other.