This nicely presented book isn’t really about innovation though, or even about impressing your friends, and a quick glance on the top ten most requested recipes at the start of the book will show that its the classics like “Warm…
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Interview with Eric Kraft
Eric Kraft talks about his grand creation, Peter Leroy, literary success, his day job, his alter egos, his web site, on working in hypertext, on the negative impact of standardised testing (don’t get him started), the myriad of other books…
A Review of In Arcadia by Ben Okri
A Review of Inflating a Dog by Eric Kraft
In the business of juggling disparate elements and merging apparently irreconcilable positions, Kraft has few equals. Many writers that have provided less have been better known. Even though Kraft’s novels are a guilty pleasure and despite the trappings of Proust…
A Review of Growing Young by Dean Warren
Dean Warren’s newest book, Growing Young, proves once again that he is a master of this writing genre. He writes of a futuristic society while weaving in facts of things happening in our own time; scientific and genetic research, unemployment,…
Interview with Noah Lukeman
Noah Lukeman, literary agent and author of The Plot Thickens and TheFirst Five Pages talks about his books, the differences between writing and agenting, the chief function of books and films, trends for literary heroes, the state of the publishing industry, self-publishing, his next…
A Review of The Plot Thickens by Noah Lukeman
The book is so well written–so tight and polished–that it provides a perfect example of its own principles. Lukeman’s prose is so lucid that it manages to render even complex concepts like “transcendency” clear, and provides practical ways of incorporating…
A Review of Goodbye Tsugumi by Banana Yoshimoto
While the novel is sweet and charming, it lacks the power and edge, and even the quirky oddness that makes Yoshimoto’s earlier work so intriguing. The ending too is a bit forced, leaving the reader unsatisfied. Despite the lack of…
How to Write Damn Good Fiction by James Frey
How to Write Damn Good Fiction is not a writing book for beginners. It doesn’t cover the basics of characterisation, plotting, dialogue, grammar or novel construction. What it does cover is the difference between writing that is mediocre and writing that…
A Review of Interior Despots edited by Sue Moss and Karen Knight
Faults notwithstanding, this is certainly an ambitious project, and where it works, it works powerfully. Naturally this kind of “assignment” will produce a large amount of subjective work, and the range of different voices and genres – the way in…