Author:

A review of a brief letter to the sea about a couple of things by Ali Whitelock

Ali Whitelock’s voice is so distinctive. I don’t just mean her beautiful Scottish brogue, though if you’ve ever heard her read, the richness of that accent will remain with you when you read her work on the page. Whitelock’s voice is woven throughout the work. It’s an immediacy and an openness that makes you feel, when reading her poetry, that you have been friends your whole life and she is not only confiding in you but drawing out of you your own dark secrets so you can laugh at them together.

A Conversation with Mary Leader about The Distaff Side

Mary Leader is a poet-lawyer from Oklahoma. She served as the Assistant Attorney General and later as a Referee for the Oklahoma Supreme Court. The Distaff Side, a collection about matrimony at the meeting of just-barely-on-the-surface and just-barely-underneath-it is her fifth collection of poems, The extraordinary visual aspects of the poem serve as the poet’s means for pleasure and defiance. In this interview with Tiffany Troy, Mary talks about her new book and the process of writing it, major themes, and more.

A review of Chinese Fish by Grace Yee

The book contains lists, poems in two different styles, one style is always in italic and written in a way like if the person writing the piece doesn’t have full command of the English language, the others are normal poems, some of the poems as well as the narrated pieces include some words in Chinese characters. Furthermore, the reader will encounter short dialogues, archival fragments, old policies, lists, eight pages (eight is considered a lucky number in Chinese culture) containing the pictures of a Chinese doll and some political comments. 

Great new giveaway!

We have a copy of But She Looks Fine: From Illness to Activism by Olivia Goodreau to give away!

To win, sign up for our Free Newsletter on the right-hand side of the site and enter via the newsletter. Winner will be chosen by the end of July from subscribers who enter via the newsletter. Good luck!

A review of Ravage & Son by Jerome Charyn

The grim urban setting of Ravage & Son, its violence, cast of criminals from all classes, and atmosphere of pessimism and disillusionment are characteristics of the noir genre.  In Charyn’s story, we see a promising youth who was given the chance to make something of himself in the world’s terms, yet chooses a different course for several reasons and eventually is defeated by the milieu he sought to clean up.

An interview with Meredith Stricker

Meredith Stricker is an artist and poet working in cross-genre media. She is the author of six poetry collections and recipient of the National Poetry Series Award. Her most recent book, Rewild, won the Dorset prize from Tupelo Press. She co-directs visual poetry studio, a collaborative focusing on architecture in Big Sur and projects to bring together artists, writers, musicians, and experimental forms. In this candid interview she speaks to Yasmine Guiga about her new book Rewild and the challenges she faced, reader expectations, inspirations, the search for aesthetic wholeness, TS Eliot, and lots more.

New giveaway!

We have a copy of The Lord’s Tusks by Jeffrey Ulin to give away!

To win, sign up for our Free Newsletter on the right-hand side of the site and enter via the newsletter. Winner will be chosen by the end of June from subscribers who enter via the newsletter. Good luck!

A review of Tuesday’s Child Is Full by PS Cottier

Cottier hides treasures in every poems. Some of the treasures are not easily accessible because the poet very cleverly has hidden them in abstract pictures painted with words. Consequently, some of the poems may need more than one reading to get to their meaning. Others, like a Rorschach test, open a door in your mind and allows you to search for your own meaning which can be an excellent stimulant for the imagination. 

A review of Clean by Scott-Patrick Mitchell

The work is immediately hard-hitting, engaging with both the personal and the political in a way that feels as though it is removing layers from skin, revealing a deep vulnerability that is universal. The inherent pull between the many physical, philosophical and psychological impacts of addiction, attraction, joy and loss is rendered with such tenderness that the reader can’t help but feel as though Mitchell is writing about all of us, about the perilous and flawed nature of being human.