Koko Taylor is the Queen of Chicago blues; and as there are apparently no worthier aspirants to the throne, though she is not as famous as Bessie Smith was or as B.B. King is, Taylor is the de facto Queen of all the blues. Koko Taylor’s career spans a half-century.
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Elegant Sensuality, Inventive Musicality: Patti Austin, Avant Gershwin
The Avant Gershwin collection’s “Porgy and Bess Medley” is another tour de force. Between a mother’s humbling instructions and a lover’s deceptive attention, a “woman is a sometime thing.” (How Austin manages singing that and not sounding misogynist or self-incriminating is fascinating.)
Friendly Collaborators, Gorgeous Music: Randy Crawford and Joe Sample, Feeling Good
Joe Sample is right: Randy Crawford has immense control of her voice. I hardly can imagine a singer able to produce a more pure vocal line. “All Night Long,” written by Curtis Lewis, and sung by Aretha Franklin in her early days, is about a man who haunts a woman’s dreams, though she does not know him well: on Feeling Good, it is bluesy, passionate.
A Generation’s Work Continues: Neil Young’s Living With War
The false intelligence, the expectation of military success, and the early sense of triumph and victory have given way to death, the bodies returning home with little ceremony, to increasing losses on both sides, to grief and bad memories, all recounted in Young’s “Shock and Awe,” with its propulsive, shimmery percussion, jangling guitar notes, and grief-filled horn, a song in which Young recalls, “We had a chance to change our mind, but somehow wisdom was hard to find.
Dissent is the Highest Form of Democracy: Michael Franti and Spearhead’s Yell Fire!
Yell Fire! is another chapter in Michael Franti’s career, another attempt to do work that expresses his personal sense of the world and his place in it. He is someone who does not quite fit common expectations: he is not selling our own greed and desire for glamour back to us, nor, though young and handsome, is he selling sex to us, or stupidity or hatred. He has invested in mind, sensitivity, and public concern; and his reward will be our awareness and our active—or activist—response.
Here We Are, On Earth Together: Stevie Wonder’s Talking Book
A review of The Ministry of Fear by Graham Greene
As a feat of storytelling, though, The Ministry of Fear is both instructive (e.g. for the way certain significant events happen “off-stage” and the way in which certain characters – Prentice being one – act as a lodestone or lightening rod for the emotional force of the story) and impressive. This is a minor work, then, but a novel with its own strengths and satisfactions; and it is an interesting precursor of much of what was to follow.
A review of The Quiet by Paul Wilson
The Quiet is an easy to read book which steers clear of too much dogma and focuses instead on helping readers achieve their own sense of calm. It is written in simple plain language on nice matt recycled paper, with attractive turquoise diagrams.
A review of You Don’t Love Me Yet by Jonathan Lethem
Under the fury and passion individual characters disappear. Motivations become subterranean and capricious. The book becomes plastic elastic where anything can happen. It is unforgivably extravagant to base so much of the book on the encounters of two sweaty bodies.
A review of My Antonia by Willa Cather
My Antonia is a great novel, a classic that does not disappoint. Perhaps most of all, it is about what true wealth is. Reading it, one is reminded often of The Go-Between by L.P. Hartley: there is the same look back toward childhood and the same richly allusive and resonant symbolism.