It’s funny: I had been thinking of Jim Jarmusch and Hal Hartley shortly before seeing Down by Law, wondering if they were giving us stories that were more true than that of many other film directors; wondering if their work was more important than we would be led to believe by the celebration of other directors.
Author:
Accidental Intimacies, Genuine Need: Pineapple Express, starring Seth Rogen and James Franco
It was interesting to see that what is made into satire now are things that used to be subtext but that we all know to look for—the no longer buried male need for other men (the homoemotional/homoerotic); and in the film, as some commentators have pointed out, that can occur in certain slippages of language, certain “accidental” incidents of physical closeness, etc.
Sweet Friendship: the film Rock My World, featuring Alicia Silverstone
What is fascinating is that, thanks to the rehearsals we see and hear, rehearsals in which the young woman musician’s improvisations add something good to the music, the film is a musical, one that emerges naturally.
Allegory, Film, and Criticism: Athol Fugard’s Boesman and Lena, starring Angela Bassett and Danny Glover
I did not find Boesman and Lena too wordy, or distractingly allegorical—but then I expect intelligence and meaning, and even imagination, in conversation and in art. I thought Boesman and Lena was a film for which Angela Bassett should have received the highest commendations; and I admired Danny Glover’s performance.
The Burnt Remains of War: Jarhead, a film directed by Sam Mendes
I wouldn’t say that Jamie Foxx is bad in Jarhead, nor that he was bad in Stealth: only that these characters do not allow him the careful performance he gave in the biographical film Ray; and in Jarhead he’s a dedicated military man—committed, forceful, and loud, but decent.
Black Knight, Black Foolishness: Black Knight, starring Martin Lawrence, directed by Gil Junger
It seems an indulgence to read such a film for political insight or to critique it for lack of relevance: but because of the ongoing issues involving black identity and social participation, almost anything can become fodder for such concerns. The fact is that Martin Lawrence’s Jamal is a very recognizable character: his sense of fun and his irresponsibility can be seen on American streets on any given day.
A review of Strangers and Pilgrims: Tales by Walter de la Mare
Strangers and Pilgrims is a rewarding selection of tales, not a few of which are masterpieces, by an unduly neglected writer whose work will never be out of date. I envy readers who are coming to Walter de la Mare’s writing for the first time.
Between Grief and Nothing I Will Take Grief: Black Bayou Construkt, Kingdoms of Folly
Kingdoms of Folly, it is easy to conclude that Dege Legg is a musician who writes, rather than a writer who makes music, and he has an instinct for creating something both attractive and significant, and a firm control of musical dynamics.
A review of Will You Love Me Tomorrow by Danny Gillan
Will You Love Me Tomorrow is an easy, fast paced read, full of funny twists and pithy insights. There’s a musical spring to Gillan’s style that belies the seriousness of his topics, covering a broad range of topics including the impact of depression and death on friendship, love, how we move on past tragedy, the music industry, art versus public relations, and family jealousy.
A review of by Résistance by Agnes Humbert
All in all, despite any questions about her methodology, Humbert ‘s account of her wartime experience is a remarkable book, a testament to at least one woman’s ability to maintain her humanity when inhumanity is all around her.