Before the film is over, each character is forced to face the other—to attempt a peace—and also to face his own inner workings, what he does and why he does it and how to become a better man. A change of heart and change of mind are necessary but are made to look easier than they would be in life, where the system—the network of institutions and public beliefs—that rules contemporary American lives is not easily defied or defeated, and remains unchanged though the men have changed.
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A Charming Pair: Pride and Prejudice, starring Keira Knightley and Matthew MacFadyen
It’s pleasing to me that work that so vitally concerns us—the strictures of class and gender (the vulnerability of women, particularly those without inheritance), and the unlikely relation of love to many marriages—should be the subject of classic literature and the kind of film that’s seen to have much prestige. It’s an affirmation that important ideas can be presented in graceful ways, besides being a wonderful story that contains some truth about human nature.
The Temptations of Friendship: Y Tu Mama Tambien (And Your Mama Too), starring Gael Garcia Bernal and Diego Luna
The pacing of the film is natural, as is its look and the acting in it, and this is a very believable story, and it gives us the many quick-changing moods of real life. It makes the calculation—and the lies and partial truths—ordinarily presented in a typical Hollywood film seem even more unnecessary.
The Limits of Palestinian Life: Paradise Now
Paradise Now, directed by Hany Abu-Assad, presents the landscape in which the Palestinians are massed—its rocky hills, its trees, its poor neighborhoods—and shows some of the communal rituals—simple meals of vegetables, bread, and sauces; and smoking a water pipe. When Said comes home late, his young brother talks about how he would have been reprimanded if he’d come in that late; and when the same boy asks if his mother has used a new water filter—he says the water tasted better before—his mother tells him to turn off the radio he swallowed, meaning he’s too smart-talking.
Conspirators, Friends, and Lovers: Triumph of Love, a film inspired by Marivaux
The film is an amusement, and yet it asks provocative questions about love, deception, and justice—and it makes accessible a form of culture (the play by Marivaux) that might otherwise seem distant to us—and it provides us the opportunity to imagine other ways of being in the world, and, not least, the chance to laugh.
Immature Vision: The Dying Gaul, a film by Craig Lucas
Peter Sarsgaard as the writer, Campbell Scott as the producer, and Patricia Clarkson as the wife give performances that are etched with believable emotion—whether concern, desire, grief, or anger; and the people in the film seem civilized in manner—articulate, intelligent, informed by culture, while acting in duplicitous ways; and this is a uniquely vicious film—indicating a dishonest, immature, malicious, and narcissistic sensibility.
There Are Contentions Among You: Gore Vidal’s political play The Best Man
Seeing the play gave me a strong sense of how theater might connect with contemporary reality, with daily conversation and our own lives and public choices. It’s easy to have a conversation after such a play about our own recent political phenomena, easy to talk about how we compromise our own ethics or repress our personal complexity to fit in…
A review of The Darwin Poems by Emily Ballou
Each poem stands alone and it is possible to read them in isolation, but whether Darwin is studying, travelling, testing hypotheses, raising children, reflecting on life and death, or dying, there is a real sense of the humanity behind the legend – something that the reader can identify with.
A review of Chez Max by Jakob Arjouni
There is an anxious, frenetic, yet absurd quality to this society and to the story which Arjouni so skillfully weaves. It is like being on a ride that is bound for nowhere good, but which cannot be stopped.
A review of Science as a Spiritual Practice by Imants Baruss
So there is little account of the ethical dimensions of a spiritual life, nor of the fact that spiritual yearning can arise out of a dissatisfaction with contemporary modes of living, despair or indeed grief, ‘so often the source of our spirit’s growth’ (Rilke). Rather than, say, through a sense that science’s materialist world-view is inadequate.