Month: January 2008

New Stories, New Sounds: Youssou N’Dour’s Give and Take (Rokku Mi Rokka)

On Rokku Mi Rokka (Give and Take), Youssou N’Dour sings in Wolof; and the album’s liner notes are in Wolof and English. Youssou N’Dour and Kabou Gueye’s song “4-4-44” is a festive celebration of freedom and family, of efforts appreciated and well-rewarded; and the music is strong on percussion and rhythm (the percussionists are Babacar Faye and Steve Shehan), with a kind of low, pleasantly rumbling sound—and N’Dour’s singing in it is a warm, male sound.

Songs of Mass Destruction by Annie Lennox

One of the interesting things about Lennox’s singing is that when she uses different tones in her songs, she summons different perspectives and it is as if we are hearing different aspects of the singer’s self. Her chanted litany in “Love Is Blind,” a litany of exhaustion and frustration, is as fierce a sound as any in popular music.

The Incomparable Streisand: Barbra Streisand’s Live in Concert 2006 and The Movie Album

Streisand is a classicist: she is informed by European classical music, and is part of the modern, popular tradition of the art of song that found its place on Broadway, and in jazz and Hollywood musicals. Is she working from memory, nostalgia, or great regard for the art form? She has been true to a tradition in which intelligent, loving, and witty words and beautiful melodies are central; and it is a tradition in eclipse thanks to the dominating noisy rhythms and rage to be found in rock and hip-hop.

A review of The Cat Empire – So Many Nights

They’ve stayed down-to-earth, innovative, and intimate despite their first two albums making platinum status and their third receiving an ARIA. This is a band that refuses to be pigeonholed. Listen to them, and I dare you not to smile and dance, even if you’re feeling glum. Their latest, So Many Nights is just a bit smoother and sweeter – maybe pop-ier than their last four.