ndividually, the stories in Diamond Dust traverse a wide geographic terrain, moving from the Himalayas to Manitoba, Toronto, Cornwall, Amherst, Massachusetts, Mexico, and Delhi, but throughout the stories there are similarities in the characters, and in the theme; that of…
Tag: fiction
A review of John Grisham’s The Painted House
It is perhaps not fair to review The Painted House from a literary perspective, since the literary and stylistic quality of his prose is not part of his appeal. However, the setting out of critical apparatus for objective book reviewing…
A review of Pnin by Vladimir Nabokov
There are some wonderful classic novels which are well worth reading and re-reading. Vladimir Nabokov’s Pnin is one of those, and guest reviewer Tom Frenkel, turns his analytical eye on Pnin. Nabokov is most famous for his novel Lolita, but…
Of Woman, Guilt and Love: Margaret Atwood’s Alias Grace
Atwood’s book takes the basic story as her premise, but uses a number of fictional techniques, primarily the narrative first person, but also letters, newspaper accounts, quotes and bits of poetry and song to create a tale of love, guilt,…
Plucking at our World: David Malouf’s Remembering Babylon
Remembering Babylon is a wonderful book. Malouf’s rich prose, which at times approaches poetry, creates a believable and fascinating lead character in Gemmy, a white man who was raised from boyhood by aborigines who found him nearly drowned after being…
Zero decibels Quiet: Simone Lazaroo’s The Australian Fiance
The Australian Fiance is a deeply moving novel. Not so much because of its story, which has moments of intensity, but is primarily, a simple story of love and loss. Rather, it is the exquisite language, the poetic transcendence affected by Lazaroo’s narrative which draws the reader into the character of the Eurasian woman, submerged with her, until we are also nameless, nationless, simultaneously guilty and innocent, soft and hard, lost and found.