Tag: fiction

A review of Nights in the Asylum by Carol Lefevre

I believe this is an important Australian novel which addresses the contemporary dilemma of the asylum seeker. The novel comes at a time when the refugee issue is transforming from one of a (frustrating, on my part) general apathy towards ‘queue-jumpers’ around the time of the SIEVX to a burgeoning collective empathy (perhaps guilt) towards refugees genuinely seeking asylum in this country.

A review of The Sonnet Lover by Carol Goodman

The Sonnet Lover is tightly plotted and skilfully executed, and would appeal particularly to lovers of literary sleuthing and academic intrigue, courtly poetry, Shakespeare’s sonnets, Venice and Florence, and readers familiar with the political wranglings that go on behind closed doors in universities.

A review of The Blood of Flowers by Anita Amirrezvani

Although this is a young woman’s story, it would be wrong to paint it as a ‘feminist narrative’. The strictures of life for women of strict Muslim cultures are well-known, but the author’s goal does not seem so much to point out the unfairness of the culture as to paint a portrait of a memorable and believable individual who learns how to prosper within these strictures – in other words this is an example of, in Joseph Campbell’s words, ‘a hero’s journey’.

A review of Trilby by George du Maurier

I think the greatest merit of Trilby is in its obviously deeply-felt evocation of the Bohemian, artistic side of Paris in the middle of the 19th century. I have come across some indication [6] that what Du M wrote may not have been literally true in its details … but it is hard to believe that the spirit of Du M’s writing is not somehow true.

A review of Take a Breath & Hold It by Michael de Valle

Take a Breath & Hold It is a book which doesn’t flinch from life’s blackest, most feared experiences. It faces them head-on, and there are no euphemisms. Death, insanity, jealousy and fear are ever present, in every story, as in every life, and they feel as bad as always. But along with all of that, and even at its lowest ebb, there is still beauty everywhere in this collection.

A review of Landing by Emma Donoghue

The description of modern Dublin is good and it is a pleasure to read an author who is not afraid to take us to Stonybatter or Trinity as naturally as an American novelist would take us to Halstead Street or the Bronx. The reticence of some Irish writers about specific locations can be exasperating.

A review of The Ministry of Fear by Graham Greene

As a feat of storytelling, though, The Ministry of Fear is both instructive (e.g. for the way certain significant events happen “off-stage” and the way in which certain characters – Prentice being one – act as a lodestone or lightening rod for the emotional force of the story) and impressive. This is a minor work, then, but a novel with its own strengths and satisfactions; and it is an interesting precursor of much of what was to follow.

A review of You Don’t Love Me Yet by Jonathan Lethem

Under the fury and passion individual characters disappear. Motivations become subterranean and capricious. The book becomes plastic elastic where anything can happen. It is unforgivably extravagant to base so much of the book on the encounters of two sweaty bodies.

A review of My Antonia by Willa Cather

My Antonia is a great novel, a classic that does not disappoint. Perhaps most of all, it is about what true wealth is. Reading it, one is reminded often of The Go-Between by L.P. Hartley: there is the same look back toward childhood and the same richly allusive and resonant symbolism.

A review of The Seventh Candidate by Howard Waldman

This is a bleak book which ends on a barely qualified note of endurance persisting over adversity. It is a competently written book with vivid characterizations. Waldman’s skill in depiction of the desperate straits of a forlorn man and woman is compelling and carries the reader from beginning to end effortlessly.