Tag: fiction

A review of Boysgirls by Katie Farris

Farris successfully grabs onto the reader and throwing them into the center of the action, along the meta, fourth-wall breaking asides that forces the readers to interact and not just observe. These unnamed characters who are often referred to their functions have broken through those constraining words. These forms created new life, new beings, and new meanings to what literal hybrid forms as Farris proves new literature should be just as bold as she demonstrated.

A review of Lucky by Jane Smiley

Smiley’s underlying theme, however, is the precariousness of this immortality. While presenting Jodie’s maturation  as a woman and artist, she  quietly notes some major historic events of the passing era.

A review of The Leaves by Jacqueline Rule

Jacqueline Rule makes good use of her legal experience in Luke’s story, which is tragic, spotlighting just how broken the foster system he ends up cycling through is, or how brutal the legal detention system, and the way in which it traumatises rather than helps the young people caught in it.

A review of Perfume by Patrick Süskind

Süskind’s dark taste in comedy and clever use of logic permeate every page. Jean-Baptiste’s skill as a perfumer making camouflage, shadowing and eventually murder all possible with a few drops of a home-made fragrance. Like all superhero films or books one fantasises of having said superpower and the fantastical, god-like things one could do with it.

A review of Thieves by Valerie Werder

Ostensibly Thieves is Valerie’s coming-of-age as she works through and try to escape the constraints of her upbringing and the world in which she lives. The story appears progress in more or less linear ways, however, there is a recursiveness that functions almost as a Möbius strip where time loops around itself and the endpoint of the work is not so much Valerie’s transition as the work itself. 

A review of Well Dressed Lies by Carrie Hayes

The writing in Well Dressed Lies is wonderfully well done at an intelligent level and with a formal tone that fits the time, place, and circumstances of the story. The language is rich, pleasing, and in places, appropriately lyrical. World-building is superb—with the English weather, streets, countryside, and architect so well drawn as to make readers feel like they are there. Seemingly small details add realism and appeal to the novel.