Scott-Norman’s book provides fifteen different nuggets of wisdom from some of Australia’s most popular, dynamic and confident stars. All of them were bullied, some so badly that you have to wonder how they managed to make it through at all, much less to rise to the heights of success that they did.
A review of The Thin Man by Dashiell Hammett
There’s a lot to enjoy about the novel, not least the mystery: Hammett generally wrote tightly plotted novels and, in that respect, The Thin Man satisfies in spades. The banter between Nick Charles and his wife is also very enjoyable and his wisecrack about a man needing a shot of whiskey in the morning to ‘break the phlegm’ is one that most men will identify with.
A review of The Safest Grunfeld by Alexander Delchev and Evgenij Agrest
It’s uncertain whether White’s pawn superiority in the centre will turn out to be a strength or a liability. But what’s meant by ‘safest’ here are those lines that are relatively straightforward, positionally based and, insofar as is possible, not dependent on long forcing tactical variations to make them viable.
A review of The Vicar of Wakefield by Oliver Goldsmith
Although the characters are often interesting, and believable, it is the feeling of being exposed to the actual life of the period that was the best aspect of the book for me. We see all the parlor games that were played on a visit to neighbors. We see how people were cheated by sharp characters at the town market.
The Gorgeous Fragments of a Genius Child: Underneath the Pine and Causers of This, two albums by Toro Y Moi, featuring Chaz Bundick
Like the snatches of song heard in a crowded club, “Fax Shadow” is a kind of coda to what came before. Chaz’s voice is full of force in “Thanks Vision,” in which the instrumental sound, delicacy under pressure, is carved, stretched, and twisted, with floating voices, a big beat, and a clatter of voices near the end. It is rare—I thought while listening to “Freak Love—that a performer makes you think of the legacies of A.R. Kane, My Bloody Valentine, Prince, the Temptations, and This Mortal Coil.
Classical, Contemporary, Creative (Indie-Classical?): Place, an album by the band Build
It has a slippery groove featuring a beat that glides and stops, glides and stops; and that first part is appealing but not soothing. The second part is quiet, slow, almost tense, with a sprinkling of piano notes, and a heavy, slow bass—until what is ponderous achieves beauty. The third part—the fast tempo of the piano, staccato string rhythm, and jazzy percussion—creates and maintains a tension between rhythms (the way one instrument complements and contrasts another reminds me of jazz, as does the jittery energy).
Chamber Music of Memory and Mischief: Now Ensemble, Awake
The Now Ensemble—Alex Sopp, Sara Budde, Mark Dancigers, Logan Coale, and Michael Mizrahi—are playing music and also playing with our expectations. After a pleasantly quiet beginning, a strong rhythm emerges in “Burst,” and I thought I heard, faintly, the blues in it (its inspirations are Mozart and Ali Farka Toure); it is a merry score for memory and mischief—one can dance to it, or enter a reverie.
With Voice, Will Travel: Susana Baca, Afrodiaspora
Afrodiaspora, Susana Baca’s voice is almost plaintive in “Bendiceme,” a song devoted to the infant Jesus, the kind of Catholic processional tune popular among black Peruvians, and her voice— which begins with a nearly formal firmness and goes high and tender—and that near-plaintive or plaintive tone touches something within the listener. Baca is joined by a chorus, which can seem like a false accent, a cliché—but not here: the chorus is the community and a musical strength; and theirs is an old, possibly timeless, sound, echoing beyond logic.
Shocking Story, Significant Sound: Julia Wolfe’s Cruel Sister, featuring Ensemble Resonanz
In the New York performance of the piece, it was accompanied, as on the Wolfe album, by “Fuel,” a score for a Bill Morrison film “that shows time-lapse images of cargo ships, trucks being loaded, drilling rigs and highways in New York and Hamburg,” with the music described as “all spiraling rock riffs and whirring clusters of notes” (Tommasini, Times, February 4, 2011).
A review of My School by Maralyn Parker
This book would be of particular value to someone moving to Australia for the first time as it provides a very good overview of the idiosyncrasies of the Australian school system, including how to make best use of that system.