Earthy Pleasure Beyond Conflict and Poverty: Cedric Watson and Corey Ledet’s Goin’ Down to Louisiana

The divergent rhythms in “Ma Negresse” give the composition its complexity and charm, whereas “Black Snake,” with drumming by Brad Frank, has a country blues feel.  Watson’s fiddle is the dominant force in the old-fashion country dance song “Calinda.”  The tempo is fast and sends “Madame Faielle” reeling with a lot of energy; and although the song has some lyrics, it is mostly instrumental. 

Loss and Sorrow in the Words of Soldiers: David T. Little, Soldier Songs

Soldier Songs begins and ends with gong-like sounds, which could be large mortar explosions.  There are quotes from soldiers about the life-or-death circumstances of war as killing; and making oneself available to die upon orders; and the (usually forbidden) permission to kill.  An experimental classical sound supports the ordinary conversation of the soldiers’ testimonies: piano, drone, and pulsing rhythm accompany the voices.

A review of The United States Chess Championship, 1845-2011 Third Edition by Andy Soltis

Soltis provides a crisp and lively narrative which ripples outward from the book’s strict subject matter on occasion to consider, for example, the career and fate of Paul Morphy. There is a generous selection of games, full tournament crosstables and some interesting statistics (e.g. Fine has one of the highest winning percentages in the championship with 78%, despite never having won it; for comparison: Fischer has the highest with 83.3%).

A review of Appointment in Samarra by John O’Hara

The theme that unknown and uncontrollable forces beyond and within oneself determine one’s fate is typical of the “naturalist” school of writers. Among the famous naturalist writers are Emile Zola, Thomas Hardy and Jack London, who show people as biological entities who respond to environmental forces and internal stresses that they do not fully understand and cannot control. O’Hara differs from these earlier naturalist novelists in that he lacks their social conscience, and focuses upon the wealthy, rather than the poor, but his “naturalism” is demonstrated by his blunt style and frank, brutal depiction of human interactions.